Company Details
jamaica-center-for-arts-and-learning-inc-
33
481
712
jcal.org
0
JAM_5886682
In-progress


JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) Company CyberSecurity Posture
jcal.orgJamaica Center for Arts and Learning, Inc. (JCAL) is a multidisciplinary urban arts center, located in the diverse community of Southeast Queens. More than 35,000 people of all ages and backgrounds participate in our wide array of education, performing arts, and visual arts programs annually. JCAL's mission is to offer visual, performing and literary arts, arts education and artists’ programs to encourage participation in the arts and to contribute to the cultural enrichment of Queens and the Greater Metropolitan area. JCAL was founded in 1972 as part of a large-scale effort to revitalize the declining Jamaica business district. Downtown Jamaica, like many neighborhoods across the United States, experienced a long period of decline in the 1960s. In 1967, local artists, business leaders and community members came together to restore the decaying commercial corridor along Jamaica Avenue. They acquired the abandoned Queens Register of Titles and Deeds Building – a New York landmark listed on the National Register of Historic Places – and transformed it into an urban cultural center that would serve as a symbol of Jamaica’s reawakening and act as a magnet for businesses, shoppers, and residents returning to the downtown area. Today, the Center’s neo-Renaissance building features a 1,650 square foot visual arts gallery, a 99-seat proscenium theater, three painting and three dance studios, a ceramics studio, a computer lab, and a newly renovated music studio. Our programs for children, teens, and adults include a multicultural series of music, theater, and dance performances; film screenings and lectures; contemporary visual arts exhibitions; in-school artist residencies; a series of nearly 50 different arts workshops; and free or low-cost after-school and summer programs.
Company Details
jamaica-center-for-arts-and-learning-inc-
33
481
712
jcal.org
0
JAM_5886682
In-progress
Between 750 and 799

JCALI Global Score (TPRM)XXXX



No incidents recorded for JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) in 2026.
No incidents recorded for JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) in 2026.
No incidents recorded for JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) in 2026.
JCALI cyber incidents detection timeline including parent company and subsidiaries

Jamaica Center for Arts and Learning, Inc. (JCAL) is a multidisciplinary urban arts center, located in the diverse community of Southeast Queens. More than 35,000 people of all ages and backgrounds participate in our wide array of education, performing arts, and visual arts programs annually. JCAL's mission is to offer visual, performing and literary arts, arts education and artists’ programs to encourage participation in the arts and to contribute to the cultural enrichment of Queens and the Greater Metropolitan area. JCAL was founded in 1972 as part of a large-scale effort to revitalize the declining Jamaica business district. Downtown Jamaica, like many neighborhoods across the United States, experienced a long period of decline in the 1960s. In 1967, local artists, business leaders and community members came together to restore the decaying commercial corridor along Jamaica Avenue. They acquired the abandoned Queens Register of Titles and Deeds Building – a New York landmark listed on the National Register of Historic Places – and transformed it into an urban cultural center that would serve as a symbol of Jamaica’s reawakening and act as a magnet for businesses, shoppers, and residents returning to the downtown area. Today, the Center’s neo-Renaissance building features a 1,650 square foot visual arts gallery, a 99-seat proscenium theater, three painting and three dance studios, a ceramics studio, a computer lab, and a newly renovated music studio. Our programs for children, teens, and adults include a multicultural series of music, theater, and dance performances; film screenings and lectures; contemporary visual arts exhibitions; in-school artist residencies; a series of nearly 50 different arts workshops; and free or low-cost after-school and summer programs.


Discovery Centre is a non-profit, registered charitable organization that is passionate about its mission to bring STEAM (science, technology, engineering, arts and math) to life through fun, interactive learning experiences. From its beginnings as a travelling science show to its spectacular new h

Named one of TIME's 100 Greatest Places and Best Science Museum by Newsweek readers, Lowell Observatory is an independent, non-profit research institution founded in 1894 by Boston mathematician Percival Lowell. More than 45,000 nights have passed since the first telescope arrived on Mars Hill. In

The Herreshoff Marine Museum / America's Cup Hall of Fame is dedicated to the education and inspiration of the public through presentations of the history and innovative work of the Herreshoff Manufacturing Company and the America's Cup competition. We celebrate excellence in design, disruptive inno

The Museo de Arte de Puerto Rico (MAPR), a non-for-profit organization, was inaugurated on July 1, 2000, as a legacy for the Puerto Rican people. The mission of the Museo de Arte de Puerto Rico is to enrich the lives of its diverse audiences by making accessible and promoting the knowledge, appreci

Since 1961, the American Folk Art Museum has shaped the understanding of art by the self-taught through its exhibitions, publications, and educational programs. As a center of scholarship, it showcases the creativity of individuals whose singular talents have been refined through personal experience
Connecticut's Beardsley Zoo is the state's only zoo - providing wild experiences for more than 100 years. Visit more than 350 species of primarily North and South American animals, including Amur tiger and leopards, Brazilian ocelot, Mexican wolves, and golden Lion tamarins. Highlights include our

Fort Mason Center for Arts & Culture is a waterfront destination for thought-provoking programs, events, restaurants, and nonprofit organizations that support and reflect the evolving cultural fabric of San Francisco and the Bay Area. An arts hub within San Francisco, the campus consists of former m

The Contemporary Arts Center (CAC) is committed to artists, the presentation of multidisciplinary work, and the value and power of the art of our time. Formed in 1976 by a passionate group of visual and performing artists when the movement to tear down the walls between visual and performing arts

Contemporary art that makes you think. City Gallery Wellington is a public contemporary art gallery in Wellington, New Zealand. Our exhibition programme focuses primarily on contemporary visual arts by local, national and international artists and designers, as well as international exchanges an
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Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) is http://www.jcal.org/.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL)’s AI-generated cybersecurity score is 763, reflecting their Fair security posture.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) has not been affected by any supply chain cyber incidents, and no incident IDs are currently listed for the organization.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) is not certified under SOC 2 Type 1.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) does not hold a SOC 2 Type 2 certification.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) is not listed as GDPR compliant.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) does not currently maintain PCI DSS compliance.
According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) is not compliant with HIPAA regulations.
According to Rankiteo,JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) operates primarily in the Museums, Historical Sites, and Zoos industry.
JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) employs approximately 33 people worldwide.
JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) presently has no subsidiaries across any sectors.
JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL)’s official LinkedIn profile has approximately 481 followers.
No, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) does not have a profile on Crunchbase.
Yes, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/jamaica-center-for-arts-and-learning-inc-.
As of January 23, 2026, Rankiteo reports that JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) has not experienced any cybersecurity incidents.
JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) has an estimated 2,178 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, JAMAICA CENTER FOR ARTS AND LEARNING, INC. (JCAL) has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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Backstage is an open framework for building developer portals, and @backstage/backend-defaults provides the default implementations and setup for a standard Backstage backend app. Prior to versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0, the `FetchUrlReader` component, used by the catalog and other plugins to fetch content from URLs, followed HTTP redirects automatically. This allowed an attacker who controls a host listed in `backend.reading.allow` to redirect requests to internal or sensitive URLs that are not on the allowlist, bypassing the URL allowlist security control. This is a Server-Side Request Forgery (SSRF) vulnerability that could allow access to internal resources, but it does not allow attackers to include additional request headers. This vulnerability is fixed in `@backstage/backend-defaults` version 0.12.2, 0.13.2, 0.14.1, and 0.15.0. Users should upgrade to this version or later. Some workarounds are available. Restrict `backend.reading.allow` to only trusted hosts that you control and that do not issue redirects, ensure allowed hosts do not have open redirect vulnerabilities, and/or use network-level controls to block access from Backstage to sensitive internal endpoints.
Backstage is an open framework for building developer portals, and @backstage/cli-common provides config loading functionality used by the backend and command line interface of Backstage. Prior to version 0.1.17, the `resolveSafeChildPath` utility function in `@backstage/backend-plugin-api`, which is used to prevent path traversal attacks, failed to properly validate symlink chains and dangling symlinks. An attacker could bypass the path validation via symlink chains (creating `link1 → link2 → /outside` where intermediate symlinks eventually resolve outside the allowed directory) and dangling symlinks (creating symlinks pointing to non-existent paths outside the base directory, which would later be created during file operations). This function is used by Scaffolder actions and other backend components to ensure file operations stay within designated directories. This vulnerability is fixed in `@backstage/backend-plugin-api` version 0.1.17. Users should upgrade to this version or later. Some workarounds are available. Run Backstage in a containerized environment with limited filesystem access and/or restrict template creation to trusted users.
Backstage is an open framework for building developer portals. Multiple Scaffolder actions and archive extraction utilities were vulnerable to symlink-based path traversal attacks. An attacker with access to create and execute Scaffolder templates could exploit symlinks to read arbitrary files via the `debug:log` action by creating a symlink pointing to sensitive files (e.g., `/etc/passwd`, configuration files, secrets); delete arbitrary files via the `fs:delete` action by creating symlinks pointing outside the workspace, and write files outside the workspace via archive extraction (tar/zip) containing malicious symlinks. This affects any Backstage deployment where users can create or execute Scaffolder templates. This vulnerability is fixed in `@backstage/backend-defaults` versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0; `@backstage/plugin-scaffolder-backend` versions 2.2.2, 3.0.2, and 3.1.1; and `@backstage/plugin-scaffolder-node` versions 0.11.2 and 0.12.3. Users should upgrade to these versions or later. Some workarounds are available. Follow the recommendation in the Backstage Threat Model to limit access to creating and updating templates, restrict who can create and execute Scaffolder templates using the permissions framework, audit existing templates for symlink usage, and/or run Backstage in a containerized environment with limited filesystem access.
FastAPI Api Key provides a backend-agnostic library that provides an API key system. Version 1.1.0 has a timing side-channel vulnerability in verify_key(). The method applied a random delay only on verification failures, allowing an attacker to statistically distinguish valid from invalid API keys by measuring response latencies. With enough repeated requests, an adversary could infer whether a key_id corresponds to a valid key, potentially accelerating brute-force or enumeration attacks. All users relying on verify_key() for API key authentication prior to the fix are affected. Users should upgrade to version 1.1.0 to receive a patch. The patch applies a uniform random delay (min_delay to max_delay) to all responses regardless of outcome, eliminating the timing correlation. Some workarounds are available. Add an application-level fixed delay or random jitter to all authentication responses (success and failure) before the fix is applied and/or use rate limiting to reduce the feasibility of statistical timing attacks.
The Flux Operator is a Kubernetes CRD controller that manages the lifecycle of CNCF Flux CD and the ControlPlane enterprise distribution. Starting in version 0.36.0 and prior to version 0.40.0, a privilege escalation vulnerability exists in the Flux Operator Web UI authentication code that allows an attacker to bypass Kubernetes RBAC impersonation and execute API requests with the operator's service account privileges. In order to be vulnerable, cluster admins must configure the Flux Operator with an OIDC provider that issues tokens lacking the expected claims (e.g., `email`, `groups`), or configure custom CEL expressions that can evaluate to empty values. After OIDC token claims are processed through CEL expressions, there is no validation that the resulting `username` and `groups` values are non-empty. When both values are empty, the Kubernetes client-go library does not add impersonation headers to API requests, causing them to be executed with the flux-operator service account's credentials instead of the authenticated user's limited permissions. This can result in privilege escalation, data exposure, and/or information disclosure. Version 0.40.0 patches the issue.

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