Company Details
dancing-in-the-streets
9
32
711
dancinginthestreets.org
0
DAN_1915882
In-progress

Dancing in the Streets Company CyberSecurity Posture
dancinginthestreets.orgDancing in the Streets, based in the South Bronx, develops movement-based projects through long term initiatives, integrating rigorous inquiry, artistic exploration, deep community engagement, and the nurturing of urban artists. Our three main areas of activity: Resident Artists - based in communities, to nurture individual creativity, and build bridges across generations, communities, and cultures. The Incubator - supporting and developing new generations of artists in dance and social practice. It's Showtime NYC! - nurturing emerging urban dance artists, and advocating the value, and importance of Hip Hop culture in NYC, nationally and internationally. Founded in 1984, Dancing in the Streets has produced and presented over 500 free public performances by over 300 contemporary artists, including site-specific productions at spectacular urban sites by Meredith Monk, Ann Carlson, Douglas Dunn, Eiko & Koma, Joanna Haigood, Steve Koplowitz, Tere O’Connor, Elizabeth Streb, Reggie Wilson, and Yasuko Yakoshi. In its early years, Dancing in the Streets fostered site-specific work as a public art form across New York City, the U.S. and internationally. Since 2001, Dancing in the Streets has been an urban pioneer, producing dance performances in unknown sites throughout the NYC metropolitan area, including the massive Port Authority Grain Terminal in Red Hook, the Tobacco Warehouse in Brooklyn Bridge Park, Fort Jay on Governor’s Island, Hangar B at Brooklyn’s Floyd Bennett Field, and in the streets of the South Bronx.
Company Details
dancing-in-the-streets
9
32
711
dancinginthestreets.org
0
DAN_1915882
In-progress
Between 750 and 799

DS Global Score (TPRM)XXXX



No incidents recorded for Dancing in the Streets in 2025.
No incidents recorded for Dancing in the Streets in 2025.
No incidents recorded for Dancing in the Streets in 2025.
DS cyber incidents detection timeline including parent company and subsidiaries

Dancing in the Streets, based in the South Bronx, develops movement-based projects through long term initiatives, integrating rigorous inquiry, artistic exploration, deep community engagement, and the nurturing of urban artists. Our three main areas of activity: Resident Artists - based in communities, to nurture individual creativity, and build bridges across generations, communities, and cultures. The Incubator - supporting and developing new generations of artists in dance and social practice. It's Showtime NYC! - nurturing emerging urban dance artists, and advocating the value, and importance of Hip Hop culture in NYC, nationally and internationally. Founded in 1984, Dancing in the Streets has produced and presented over 500 free public performances by over 300 contemporary artists, including site-specific productions at spectacular urban sites by Meredith Monk, Ann Carlson, Douglas Dunn, Eiko & Koma, Joanna Haigood, Steve Koplowitz, Tere O’Connor, Elizabeth Streb, Reggie Wilson, and Yasuko Yakoshi. In its early years, Dancing in the Streets fostered site-specific work as a public art form across New York City, the U.S. and internationally. Since 2001, Dancing in the Streets has been an urban pioneer, producing dance performances in unknown sites throughout the NYC metropolitan area, including the massive Port Authority Grain Terminal in Red Hook, the Tobacco Warehouse in Brooklyn Bridge Park, Fort Jay on Governor’s Island, Hangar B at Brooklyn’s Floyd Bennett Field, and in the streets of the South Bronx.


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THE COMPANY History Theatre entertains, educates, and inspires through creating, developing, and producing new and existing works that explore Minnesota’s past and the diverse American experience. Its work provides a unique lens which links our past to the present, explores our common heritage, and

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Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Dancing in the Streets is http://www.dancinginthestreets.org/mission--history.
According to Rankiteo, Dancing in the Streets’s AI-generated cybersecurity score is 763, reflecting their Fair security posture.
According to Rankiteo, Dancing in the Streets currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Dancing in the Streets is not certified under SOC 2 Type 1.
According to Rankiteo, Dancing in the Streets does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Dancing in the Streets is not listed as GDPR compliant.
According to Rankiteo, Dancing in the Streets does not currently maintain PCI DSS compliance.
According to Rankiteo, Dancing in the Streets is not compliant with HIPAA regulations.
According to Rankiteo,Dancing in the Streets is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Dancing in the Streets operates primarily in the Performing Arts industry.
Dancing in the Streets employs approximately 9 people worldwide.
Dancing in the Streets presently has no subsidiaries across any sectors.
Dancing in the Streets’s official LinkedIn profile has approximately 32 followers.
No, Dancing in the Streets does not have a profile on Crunchbase.
Yes, Dancing in the Streets maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/dancing-in-the-streets.
As of December 13, 2025, Rankiteo reports that Dancing in the Streets has not experienced any cybersecurity incidents.
Dancing in the Streets has an estimated 2,699 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Dancing in the Streets has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, there is no handler for JSON parsing errors; SyntaxError from express.json() includes user input in the error message, which gets reflected in responses. User input (including HTML/JavaScript) can be exposed in error responses, creating an XSS risk if Content-Type isn't strictly enforced. This issue does not have a fix at the time of publication.
LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when creating prompts, JSON requests are sent to define and modify the prompts via PATCH endpoint for prompt groups (/api/prompts/groups/:groupId). However, the request bodies are not sufficiently validated for proper input, enabling users to modify prompts in a way that was not intended as part of the front end system. The patchPromptGroup function passes req.body directly to updatePromptGroup() without filtering sensitive fields. This issue is fixed in version 0.8.1.
LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when a user posts a question, the iconURL parameter of the POST request can be modified by an attacker. The malicious code is then stored in the chat which can then be shared to other users. When sharing chats with a potentially malicious “tracker”, resources loaded can lead to loss of privacy for users who view the chat link that is sent to them. This issue is fixed in version 0.8.1.
MaxKB is an open-source AI assistant for enterprise. Versions 2.3.1 and below have improper file permissions which allow attackers to overwrite the built-in dynamic linker and other critical files, potentially resulting in privilege escalation. This issue is fixed in version 2.4.0.
MaxKB is an open-source AI assistant for enterprise. In versions 2.3.1 and below, the tool module allows an attacker to escape the sandbox environment and escalate privileges under certain concurrent conditions. This issue is fixed in version 2.4.0.

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