We are an Off-Broadway theatre company dedicated to nurturing the voices of daring artists, and to developing and producing work that pushes the boundaries of what theatre can be and do. One of the country’s preeminent centers for the creation of new plays and musicals, our work seeks to challenge and inspire all of us to see ourselves and our world from different perspectives. Notable projects developed and premiered by The Vineyard include two Pulitzer Prize-winning dramas, Paula Vogel’s HOW I LEARNED TO DRIVE and Edward Albee’s THREE TALL WOMEN and five productions that have transferred to Broadway – John Kander and Fred Ebb’s THE SCOTTSBORO BOYS, Hunter Bell and Jeff Bowen’s [title of show], Bobby Lopez, Jeff Marx and Jeff Whitty’s AVENUE Q (Tony Award, Best Musical), Nicky Silver’s THE LYONS, and most recently INDECENT by Paula Vogel. Other notable premieres include Becky Mode’s FULLY COMMITTED (which ran for two years Off-Broadway and has had more than 100 productions around the world); Colman Domingo’s DOT, Jenny Schwartz’s GOD’S EAR, Craig Lucas’ THE DYING GAUL, Nicky Silver’s PTERODACTYLS, Anne Washburn’s THE INTERNATIONALIST, Julia Cho’s THE PIANO TEACHER, Christopher Shinn’s WHERE DO WE LIVE, Will Eno’s MIDDLETOWN, Tarell Alvin McCraney’s WIG OUT!, Michael Mayer and Peter Lerman’s BROOKLYNITE, Branden Jacobs-Jenkins’ Pulitzer finalist play GLORIA, and many more. Vineyard productions have gone on to be seen around the country and the world. Our commitment to innovative work has earned The Vineyard, our artists and productions two Pulitzer Prizes, five Tony Awards, 23 Obie Awards, two Oppenheimer Awards, and numerous New York Drama Critics Circle, Lucille Lortel, and Drama Desk awards. The Vineyard is proud to have been honored with a special Lucille Lortel Award for Outstanding Body of Work, a Drama Desk Award for Artistic Excellence, and the first-ever Ross Wetzsteon Obie Award for support of artists and creativity in the theatre.