Company Details
columbus-museum-of-art
197
7,658
712
columbusmuseum.org
0
COL_2575052
In-progress


Columbus Museum of Art Company CyberSecurity Posture
columbusmuseum.orgColumbus Museum of Art’s mission is to create great experiences with great art for everyone. Whether we are presenting an exhibition, designing an art-making activity, or giving visitors directions, we are guided by a vision to connect people and art. CMA nurtures that connection and removes barriers between our community and our collection. CMA’s galleries are filled with works that manifest creativity. Our collection includes outstanding late nineteenth and early twentieth-century American and European modern works of art. We house the world’s largest collections of works by beloved local artists Aminah Brenda Lynn Robinson, Elijah Pierce, and George Bellows; and acclaimed collections such as The Photo League and the Philip and Suzanne Schiller Collection of American Social Commentary Art. A commitment to contemporary art, folk art, glass, and photography continues the Museum’s dedication to showcasing art of our time. CMA is where creativity and the daily life of our community intersect and thrive, as we champion new and different ways of thinking and doing. We celebrate the creative process and provide opportunities for people to cultivate and discover the value of creativity in their own lives.
Company Details
columbus-museum-of-art
197
7,658
712
columbusmuseum.org
0
COL_2575052
In-progress
Between 750 and 799

CMA Global Score (TPRM)XXXX



No incidents recorded for Columbus Museum of Art in 2026.
No incidents recorded for Columbus Museum of Art in 2026.
No incidents recorded for Columbus Museum of Art in 2026.
CMA cyber incidents detection timeline including parent company and subsidiaries

Columbus Museum of Art’s mission is to create great experiences with great art for everyone. Whether we are presenting an exhibition, designing an art-making activity, or giving visitors directions, we are guided by a vision to connect people and art. CMA nurtures that connection and removes barriers between our community and our collection. CMA’s galleries are filled with works that manifest creativity. Our collection includes outstanding late nineteenth and early twentieth-century American and European modern works of art. We house the world’s largest collections of works by beloved local artists Aminah Brenda Lynn Robinson, Elijah Pierce, and George Bellows; and acclaimed collections such as The Photo League and the Philip and Suzanne Schiller Collection of American Social Commentary Art. A commitment to contemporary art, folk art, glass, and photography continues the Museum’s dedication to showcasing art of our time. CMA is where creativity and the daily life of our community intersect and thrive, as we champion new and different ways of thinking and doing. We celebrate the creative process and provide opportunities for people to cultivate and discover the value of creativity in their own lives.


Since its founding in 1936, the Institute of Contemporary Art/Boston has shared the pleasures of reflection, inspiration, imagination, and provocation that contemporary art offers with its audiences. A museum at the intersection of contemporary art and civic life, the ICA has advanced a bold vision

The mission of the Mahwah Museum is to preserve and present the history of the community and its connection to the region. Museum exhibits display information about the history of Mahwah and the surrounding community. Gallery talks are presented in the museum by volunteers who have researched and

The Alaska Jewish Historical Museum is sponsoring its eighth annual Jewish Cultural Gala on November 12, 2011, at the Hotel Captain Cook in Anchorage, Alaska. Our theme is: "Celebrating Alaska’s Cultural Diversity, The Jewish Contribution to the Shaping of Alaska’s Constitution, Statehood and Civic
The Fine Arts Museums welcome more than 1.5 million visitors annually to enjoy an ambitious schedule of special exhibitions and education programs along with our world-class collection of 151,000 important artworks. Our staff is building on these successes to further expand the Museums’ reach with a

The mission of The Maritime Aquarium at Norwalk is to ignite a connection to Long Island Sound and the ocean to enrich the lives of all people and inspire action to protect our blue planet. For over 35 years, the Aquarium has played a significant role in shaping the landscape of Norwalk and the regi

The Conservatory of Flowers is a Victorian wood and glass conservatory built in 1879. Our mission to connect people to plants in a place of exceptional beauty. Located in Golden Gate Park, we're open Thursday through Tuesday, from 10am to 4:30pm, for visitors to experience the rare exotic plants and

Opened in March 1987, after the renovation of the Pythian Theater, The King Arts Complex is located on the near East side of Columbus, Ohio, in one of the oldest areas of African-American life in the city. With an additional renovation, Phase II opened in October 1989 creating a 60,000 square foot

Founded in 1992 by aviation enthusiast and commander of the Carolinas Wing of the Confederate Air Force, Floyd Swinton Wilson and his wife Lois and located just alongside Charlotte Douglas International Airport, the Sullenberger Aviation Museum is home to aircraft and artifacts from the advent of av

Knoxville Zoo is a non-profit organization whose mission is to inspire action for wildlife and wild places through dynamic guest experiences. Accredited by the Association of Zoos and Aquariums (AZA), Knoxville Zoo welcomes more than 430,000 visitors annually and is Knoxville's most popular destina
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Debuting at the Springfield Museum of Art in Ohio, “Aminah Robinson: Journeys Home, a Visual Memoir” brings together a selection of artworks...
Born in Detroit, Smith grew up in Columbus, OH before heading off to Howard University in Washington, D.C. and then on to New York,...
The global cyber outage causing internet chaos Friday is impacting Columbus-area hospitals and government agencies. Here's what's affected.
Robin F. Williams: We've Been Expecting You” at the Columbus Museum of Art is the first institutional solo exhibition for the artist.
No matter how far Aminah Brenda Lynn Robinson's art took her – a MacArthur “Genius” grant, artist residency in Santiago,...

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Columbus Museum of Art is http://www.columbusmuseum.org.
According to Rankiteo, Columbus Museum of Art’s AI-generated cybersecurity score is 764, reflecting their Fair security posture.
According to Rankiteo, Columbus Museum of Art currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Columbus Museum of Art has not been affected by any supply chain cyber incidents, and no incident IDs are currently listed for the organization.
According to Rankiteo, Columbus Museum of Art is not certified under SOC 2 Type 1.
According to Rankiteo, Columbus Museum of Art does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Columbus Museum of Art is not listed as GDPR compliant.
According to Rankiteo, Columbus Museum of Art does not currently maintain PCI DSS compliance.
According to Rankiteo, Columbus Museum of Art is not compliant with HIPAA regulations.
According to Rankiteo,Columbus Museum of Art is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Columbus Museum of Art operates primarily in the Museums, Historical Sites, and Zoos industry.
Columbus Museum of Art employs approximately 197 people worldwide.
Columbus Museum of Art presently has no subsidiaries across any sectors.
Columbus Museum of Art’s official LinkedIn profile has approximately 7,658 followers.
Columbus Museum of Art is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, Columbus Museum of Art does not have a profile on Crunchbase.
Yes, Columbus Museum of Art maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/columbus-museum-of-art.
As of January 23, 2026, Rankiteo reports that Columbus Museum of Art has not experienced any cybersecurity incidents.
Columbus Museum of Art has an estimated 2,178 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Columbus Museum of Art has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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Backstage is an open framework for building developer portals, and @backstage/backend-defaults provides the default implementations and setup for a standard Backstage backend app. Prior to versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0, the `FetchUrlReader` component, used by the catalog and other plugins to fetch content from URLs, followed HTTP redirects automatically. This allowed an attacker who controls a host listed in `backend.reading.allow` to redirect requests to internal or sensitive URLs that are not on the allowlist, bypassing the URL allowlist security control. This is a Server-Side Request Forgery (SSRF) vulnerability that could allow access to internal resources, but it does not allow attackers to include additional request headers. This vulnerability is fixed in `@backstage/backend-defaults` version 0.12.2, 0.13.2, 0.14.1, and 0.15.0. Users should upgrade to this version or later. Some workarounds are available. Restrict `backend.reading.allow` to only trusted hosts that you control and that do not issue redirects, ensure allowed hosts do not have open redirect vulnerabilities, and/or use network-level controls to block access from Backstage to sensitive internal endpoints.
Backstage is an open framework for building developer portals, and @backstage/cli-common provides config loading functionality used by the backend and command line interface of Backstage. Prior to version 0.1.17, the `resolveSafeChildPath` utility function in `@backstage/backend-plugin-api`, which is used to prevent path traversal attacks, failed to properly validate symlink chains and dangling symlinks. An attacker could bypass the path validation via symlink chains (creating `link1 → link2 → /outside` where intermediate symlinks eventually resolve outside the allowed directory) and dangling symlinks (creating symlinks pointing to non-existent paths outside the base directory, which would later be created during file operations). This function is used by Scaffolder actions and other backend components to ensure file operations stay within designated directories. This vulnerability is fixed in `@backstage/backend-plugin-api` version 0.1.17. Users should upgrade to this version or later. Some workarounds are available. Run Backstage in a containerized environment with limited filesystem access and/or restrict template creation to trusted users.
Backstage is an open framework for building developer portals. Multiple Scaffolder actions and archive extraction utilities were vulnerable to symlink-based path traversal attacks. An attacker with access to create and execute Scaffolder templates could exploit symlinks to read arbitrary files via the `debug:log` action by creating a symlink pointing to sensitive files (e.g., `/etc/passwd`, configuration files, secrets); delete arbitrary files via the `fs:delete` action by creating symlinks pointing outside the workspace, and write files outside the workspace via archive extraction (tar/zip) containing malicious symlinks. This affects any Backstage deployment where users can create or execute Scaffolder templates. This vulnerability is fixed in `@backstage/backend-defaults` versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0; `@backstage/plugin-scaffolder-backend` versions 2.2.2, 3.0.2, and 3.1.1; and `@backstage/plugin-scaffolder-node` versions 0.11.2 and 0.12.3. Users should upgrade to these versions or later. Some workarounds are available. Follow the recommendation in the Backstage Threat Model to limit access to creating and updating templates, restrict who can create and execute Scaffolder templates using the permissions framework, audit existing templates for symlink usage, and/or run Backstage in a containerized environment with limited filesystem access.
FastAPI Api Key provides a backend-agnostic library that provides an API key system. Version 1.1.0 has a timing side-channel vulnerability in verify_key(). The method applied a random delay only on verification failures, allowing an attacker to statistically distinguish valid from invalid API keys by measuring response latencies. With enough repeated requests, an adversary could infer whether a key_id corresponds to a valid key, potentially accelerating brute-force or enumeration attacks. All users relying on verify_key() for API key authentication prior to the fix are affected. Users should upgrade to version 1.1.0 to receive a patch. The patch applies a uniform random delay (min_delay to max_delay) to all responses regardless of outcome, eliminating the timing correlation. Some workarounds are available. Add an application-level fixed delay or random jitter to all authentication responses (success and failure) before the fix is applied and/or use rate limiting to reduce the feasibility of statistical timing attacks.
The Flux Operator is a Kubernetes CRD controller that manages the lifecycle of CNCF Flux CD and the ControlPlane enterprise distribution. Starting in version 0.36.0 and prior to version 0.40.0, a privilege escalation vulnerability exists in the Flux Operator Web UI authentication code that allows an attacker to bypass Kubernetes RBAC impersonation and execute API requests with the operator's service account privileges. In order to be vulnerable, cluster admins must configure the Flux Operator with an OIDC provider that issues tokens lacking the expected claims (e.g., `email`, `groups`), or configure custom CEL expressions that can evaluate to empty values. After OIDC token claims are processed through CEL expressions, there is no validation that the resulting `username` and `groups` values are non-empty. When both values are empty, the Kubernetes client-go library does not add impersonation headers to API requests, causing them to be executed with the flux-operator service account's credentials instead of the authenticated user's limited permissions. This can result in privilege escalation, data exposure, and/or information disclosure. Version 0.40.0 patches the issue.

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