Company Details
the-grace-museum
19
421
712
thegracemuseum.org
0
THE_2431844
In-progress


The Grace Museum Company CyberSecurity Posture
thegracemuseum.orgThe Grace Museum is a 501(c)(3) nonprofit museum in Abilene, Texas. In 1937, the culturally minded Art Unit of Women’s Forum in Abilene established the Abilene Fine Arts Museum in a small facility in Rose City Park. In 1987, a campaign was initiated to save the majestic Hotel Grace, an abandoned 55,000-square-foot building. The museum found a new home in this beautifully renovated structure. In 1992, the Abilene Fine Arts Museum changed its name to reflect the historic location of the Grace Cultural Center. Today, The Grace Museum serves as a cornerstone of Abilene’s cultural downtown center. The mission of The Grace Museum contains its vision for growth and outreach: “The Grace Museum builds multifaceted connections through new experiences in American fine art and history within the evolving Texas story through exhibitions, programs, and collections.” In 2021, The Grace Museum earned reaccreditation from the American Alliance of Museums, bringing national recognition and a reputation as an institution committed to excellence and the highest professional standards. The museum has five art galleries on three floors, an interactive art family space, a photography gallery, a history museum, six historical period rooms, and an education center with a research and children’s library. The Grace annually presents twelve to fifteen exhibitions that form the foundation for a robust outreach and programming schedule. Annually The Grace welcomes over 55,000 in-person visitors. More than 2,000 children participate in staff-led tours of the galleries. Admission is free every Thursday evening and visitors participate in free programs and events. The Grace Arts Outreach remains dynamic with its Distance Learning and Arts Outreach bringing art experiences and Texas Essential Skills and Knowledge and Skills (TEKS) instruction to 1st through 5th-grade students across local and rural school districts.
Company Details
the-grace-museum
19
421
712
thegracemuseum.org
0
THE_2431844
In-progress
Between 750 and 799

GM Global Score (TPRM)XXXX



No incidents recorded for The Grace Museum in 2026.
No incidents recorded for The Grace Museum in 2026.
No incidents recorded for The Grace Museum in 2026.
GM cyber incidents detection timeline including parent company and subsidiaries

The Grace Museum is a 501(c)(3) nonprofit museum in Abilene, Texas. In 1937, the culturally minded Art Unit of Women’s Forum in Abilene established the Abilene Fine Arts Museum in a small facility in Rose City Park. In 1987, a campaign was initiated to save the majestic Hotel Grace, an abandoned 55,000-square-foot building. The museum found a new home in this beautifully renovated structure. In 1992, the Abilene Fine Arts Museum changed its name to reflect the historic location of the Grace Cultural Center. Today, The Grace Museum serves as a cornerstone of Abilene’s cultural downtown center. The mission of The Grace Museum contains its vision for growth and outreach: “The Grace Museum builds multifaceted connections through new experiences in American fine art and history within the evolving Texas story through exhibitions, programs, and collections.” In 2021, The Grace Museum earned reaccreditation from the American Alliance of Museums, bringing national recognition and a reputation as an institution committed to excellence and the highest professional standards. The museum has five art galleries on three floors, an interactive art family space, a photography gallery, a history museum, six historical period rooms, and an education center with a research and children’s library. The Grace annually presents twelve to fifteen exhibitions that form the foundation for a robust outreach and programming schedule. Annually The Grace welcomes over 55,000 in-person visitors. More than 2,000 children participate in staff-led tours of the galleries. Admission is free every Thursday evening and visitors participate in free programs and events. The Grace Arts Outreach remains dynamic with its Distance Learning and Arts Outreach bringing art experiences and Texas Essential Skills and Knowledge and Skills (TEKS) instruction to 1st through 5th-grade students across local and rural school districts.


Over the last 100 years, Oklahoma has fed the world through agriculture, fueled the world through oil and gas production, and changed the world through pop culture. By the time post-World War II wealth began to transform and propel mass communication in the U.S, Oklahomans had already carved out an

The American Classic Arcade Museum, Inc., a non-profit corporation registered with the State of New Hampshire, has been established to promote and preserve the history of coin-operated arcade games. The museum will cover the industry from its pre-electricity inception in the early 20th century throu

Founded in 1896, the Manchester Historic Association is an independent, 501 (c)(3) nonprofit charitable organization with the mission to collect, preserve and share the history of Manchester, New Hampshire, USA. The Association operates the Millyard Museum and the Research Center, both of which are

Celebrating the music of Tennessee's Delta. Explore Flagg Grove School, the one-room school Tina attended as a child and home of the world's only Tina Turner Museum. Step inside the shotgun home of Blues pioneer Sleepy John Estes and experience the Country Blues sound that grew from hard work and c

In a region noted for its spirit of innovation and global influence, contemporary art is valued for enriching and revealing our shared humanity. The ICA San José champions artists and cultivates engagement with contemporary art through thought-provoking exhibitions and programs. The ICA has long be

La Fondation Louis Vuitton, anciennement Fondation d'entreprise Louis Vuitton pour la création, lancée en octobre 2006, a été créée par le groupe LVMH et ses maisons. Elle a pour objectif de promouvoir l’art et la culture et de pérenniser les actions de mécénat engagées depuis 1990 par le groupe. L

Museum MORE is het grootste museum voor modern realisme. In het voormalig gemeentehuis in Gorssel zijn werken te zien van toonaangevende modern realistische topkunstenaars, zoals grootmeesters zoals Carel Willink, Pyke Koch, Jan Mankes, Charley Toorop, Wim Schuhmacher en Raoul Hynckes. Naast deze ei

CANDLES Holocaust Museum and Education Center shines a light on the story of the Holocaust and Eva Kor, to create an empowered community of critical thinkers who will illuminate the world with hope, healing, respect, and responsibility. CANDLES Holocaust Museum and Education Center is the only or
COSI provides an exciting and informative atmosphere for those of all ages to discover more about our environment, our accomplishments, our heritage, and ourselves. We motivate a desire toward a better understanding of science, industry, health, and history through involvement in exhibits, demonstr
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A report in The Wall Street Journal uses an attempted sale of Elvis Presley's former home to take a closer look at title and mortgage fraud.

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of The Grace Museum is http://www.thegracemuseum.org.
According to Rankiteo, The Grace Museum’s AI-generated cybersecurity score is 762, reflecting their Fair security posture.
According to Rankiteo, The Grace Museum currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, The Grace Museum has not been affected by any supply chain cyber incidents, and no incident IDs are currently listed for the organization.
According to Rankiteo, The Grace Museum is not certified under SOC 2 Type 1.
According to Rankiteo, The Grace Museum does not hold a SOC 2 Type 2 certification.
According to Rankiteo, The Grace Museum is not listed as GDPR compliant.
According to Rankiteo, The Grace Museum does not currently maintain PCI DSS compliance.
According to Rankiteo, The Grace Museum is not compliant with HIPAA regulations.
According to Rankiteo,The Grace Museum is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
The Grace Museum operates primarily in the Museums, Historical Sites, and Zoos industry.
The Grace Museum employs approximately 19 people worldwide.
The Grace Museum presently has no subsidiaries across any sectors.
The Grace Museum’s official LinkedIn profile has approximately 421 followers.
The Grace Museum is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, The Grace Museum does not have a profile on Crunchbase.
Yes, The Grace Museum maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/the-grace-museum.
As of January 23, 2026, Rankiteo reports that The Grace Museum has not experienced any cybersecurity incidents.
The Grace Museum has an estimated 2,178 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, The Grace Museum has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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Backstage is an open framework for building developer portals, and @backstage/backend-defaults provides the default implementations and setup for a standard Backstage backend app. Prior to versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0, the `FetchUrlReader` component, used by the catalog and other plugins to fetch content from URLs, followed HTTP redirects automatically. This allowed an attacker who controls a host listed in `backend.reading.allow` to redirect requests to internal or sensitive URLs that are not on the allowlist, bypassing the URL allowlist security control. This is a Server-Side Request Forgery (SSRF) vulnerability that could allow access to internal resources, but it does not allow attackers to include additional request headers. This vulnerability is fixed in `@backstage/backend-defaults` version 0.12.2, 0.13.2, 0.14.1, and 0.15.0. Users should upgrade to this version or later. Some workarounds are available. Restrict `backend.reading.allow` to only trusted hosts that you control and that do not issue redirects, ensure allowed hosts do not have open redirect vulnerabilities, and/or use network-level controls to block access from Backstage to sensitive internal endpoints.
Backstage is an open framework for building developer portals, and @backstage/cli-common provides config loading functionality used by the backend and command line interface of Backstage. Prior to version 0.1.17, the `resolveSafeChildPath` utility function in `@backstage/backend-plugin-api`, which is used to prevent path traversal attacks, failed to properly validate symlink chains and dangling symlinks. An attacker could bypass the path validation via symlink chains (creating `link1 → link2 → /outside` where intermediate symlinks eventually resolve outside the allowed directory) and dangling symlinks (creating symlinks pointing to non-existent paths outside the base directory, which would later be created during file operations). This function is used by Scaffolder actions and other backend components to ensure file operations stay within designated directories. This vulnerability is fixed in `@backstage/backend-plugin-api` version 0.1.17. Users should upgrade to this version or later. Some workarounds are available. Run Backstage in a containerized environment with limited filesystem access and/or restrict template creation to trusted users.
Backstage is an open framework for building developer portals. Multiple Scaffolder actions and archive extraction utilities were vulnerable to symlink-based path traversal attacks. An attacker with access to create and execute Scaffolder templates could exploit symlinks to read arbitrary files via the `debug:log` action by creating a symlink pointing to sensitive files (e.g., `/etc/passwd`, configuration files, secrets); delete arbitrary files via the `fs:delete` action by creating symlinks pointing outside the workspace, and write files outside the workspace via archive extraction (tar/zip) containing malicious symlinks. This affects any Backstage deployment where users can create or execute Scaffolder templates. This vulnerability is fixed in `@backstage/backend-defaults` versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0; `@backstage/plugin-scaffolder-backend` versions 2.2.2, 3.0.2, and 3.1.1; and `@backstage/plugin-scaffolder-node` versions 0.11.2 and 0.12.3. Users should upgrade to these versions or later. Some workarounds are available. Follow the recommendation in the Backstage Threat Model to limit access to creating and updating templates, restrict who can create and execute Scaffolder templates using the permissions framework, audit existing templates for symlink usage, and/or run Backstage in a containerized environment with limited filesystem access.
FastAPI Api Key provides a backend-agnostic library that provides an API key system. Version 1.1.0 has a timing side-channel vulnerability in verify_key(). The method applied a random delay only on verification failures, allowing an attacker to statistically distinguish valid from invalid API keys by measuring response latencies. With enough repeated requests, an adversary could infer whether a key_id corresponds to a valid key, potentially accelerating brute-force or enumeration attacks. All users relying on verify_key() for API key authentication prior to the fix are affected. Users should upgrade to version 1.1.0 to receive a patch. The patch applies a uniform random delay (min_delay to max_delay) to all responses regardless of outcome, eliminating the timing correlation. Some workarounds are available. Add an application-level fixed delay or random jitter to all authentication responses (success and failure) before the fix is applied and/or use rate limiting to reduce the feasibility of statistical timing attacks.
The Flux Operator is a Kubernetes CRD controller that manages the lifecycle of CNCF Flux CD and the ControlPlane enterprise distribution. Starting in version 0.36.0 and prior to version 0.40.0, a privilege escalation vulnerability exists in the Flux Operator Web UI authentication code that allows an attacker to bypass Kubernetes RBAC impersonation and execute API requests with the operator's service account privileges. In order to be vulnerable, cluster admins must configure the Flux Operator with an OIDC provider that issues tokens lacking the expected claims (e.g., `email`, `groups`), or configure custom CEL expressions that can evaluate to empty values. After OIDC token claims are processed through CEL expressions, there is no validation that the resulting `username` and `groups` values are non-empty. When both values are empty, the Kubernetes client-go library does not add impersonation headers to API requests, causing them to be executed with the flux-operator service account's credentials instead of the authenticated user's limited permissions. This can result in privilege escalation, data exposure, and/or information disclosure. Version 0.40.0 patches the issue.

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