Company Details
sacramento-ballet
35
312
711
sacballet.org
0
SAC_9796296
In-progress

Sacramento Ballet Company CyberSecurity Posture
sacballet.orgThe Sacramento Ballet was founded in 1954 through the efforts and leadership of Barbara and Deane Crockett, who came to the capital of California from the San Francisco bay area. During Ms. Crockett’s tenure as Company Director, The Sacramento Ballet gained national recognition as one of the finest regional arts companies. Through community support, the formation of the Ballet Guild, and grants from the Sacramento Metropolitan Arts Commission, California Arts Council, and the National Endowment for the Arts, the Ballet was able to grow and begin to hire a resident company of professional dancers. In 1986, having accomplished her goal of making The Sacramento Ballet a professional company, Ms. Crockett retired as the Company Director. In 1988 Ron Cunningham was engaged as Artistic Director, and was joined by his wife Carinne Binda the following year. The two became Co-Artistic Directors in 1991, and through their vision and leadership, the company has enjoyed substantial success and is widely recognized as a leading arts organization in Sacramento. Cunningham and Binda have successfully chosen ballets that balance public appeal with works that stretch and develop the artistic capabilities of the dancers. The Sacramento Ballet is as well known for Cunningham’s world premieres of such works as Carmina Burana, The Rite of Spring and Bolero as it is for his classics, including The Nutcracker, Romeo and Juliet, and Cinderella. The Ballet’s audience has had the opportunity to experience a vast repertoire, including works by Septime Webre, David Parsons, Kathryn Posin, Agnes de Mille, Glen Tetley, Val Caniparoli,Trey McIntyre and Twyla Tharp. In 20 seasons, the Ballet has added 17 full-length ballets, 18 Balanchine masterworks, 52 Sacramento premieres, and 48 world premieres. The company is highly regarded as a cultural asset to the community and consistently receives outstanding reviews for its artistic quality. The Sacramento Ballet has taken a leadership role in outreach, education, community service and collaborative projects, and is without question, a leader in arts education and outreach in the greater Sacramento region. As a professional company, The Sacramento Ballet targets communities through its touring program, traveling throughout the greater Sacramento Valley and as far as Hawaii, Washington, and Victoria, B.C. In 2007, the Company presented their first international tour to the People’s Republic of China performing in Shanghai and Beijing. Through extensive Education and Outreach programs, the Ballet reaches approximately 40,000 participants each season. The Sacramento Ballet has received annual funding from corporations, foundations and government agencies to support its operational and artistic growth, including: California Arts Council, National Endowment for the Arts, Sacramento Regional Foundation, Sacramento Metropolitan Arts Council, The James Irvine Foundation, Target Stores, Raley’s Stores, Tri-Counties Bank, Chevron and the McClatchy Company to name a few. Since 1986, the company’s operating budget has grown steadily, and audience attendance has increased from 15,000 to over 80,000 each season. The Ballet remains the only Sacramento arts organization with a resident company of artists. The Sacramento Ballet entertains, educates, inspires, and engages people through the powerful vehicle of dance
Company Details
sacramento-ballet
35
312
711
sacballet.org
0
SAC_9796296
In-progress
Between 750 and 799

Sacramento Ballet Global Score (TPRM)XXXX



No incidents recorded for Sacramento Ballet in 2025.
No incidents recorded for Sacramento Ballet in 2025.
No incidents recorded for Sacramento Ballet in 2025.
Sacramento Ballet cyber incidents detection timeline including parent company and subsidiaries

The Sacramento Ballet was founded in 1954 through the efforts and leadership of Barbara and Deane Crockett, who came to the capital of California from the San Francisco bay area. During Ms. Crockett’s tenure as Company Director, The Sacramento Ballet gained national recognition as one of the finest regional arts companies. Through community support, the formation of the Ballet Guild, and grants from the Sacramento Metropolitan Arts Commission, California Arts Council, and the National Endowment for the Arts, the Ballet was able to grow and begin to hire a resident company of professional dancers. In 1986, having accomplished her goal of making The Sacramento Ballet a professional company, Ms. Crockett retired as the Company Director. In 1988 Ron Cunningham was engaged as Artistic Director, and was joined by his wife Carinne Binda the following year. The two became Co-Artistic Directors in 1991, and through their vision and leadership, the company has enjoyed substantial success and is widely recognized as a leading arts organization in Sacramento. Cunningham and Binda have successfully chosen ballets that balance public appeal with works that stretch and develop the artistic capabilities of the dancers. The Sacramento Ballet is as well known for Cunningham’s world premieres of such works as Carmina Burana, The Rite of Spring and Bolero as it is for his classics, including The Nutcracker, Romeo and Juliet, and Cinderella. The Ballet’s audience has had the opportunity to experience a vast repertoire, including works by Septime Webre, David Parsons, Kathryn Posin, Agnes de Mille, Glen Tetley, Val Caniparoli,Trey McIntyre and Twyla Tharp. In 20 seasons, the Ballet has added 17 full-length ballets, 18 Balanchine masterworks, 52 Sacramento premieres, and 48 world premieres. The company is highly regarded as a cultural asset to the community and consistently receives outstanding reviews for its artistic quality. The Sacramento Ballet has taken a leadership role in outreach, education, community service and collaborative projects, and is without question, a leader in arts education and outreach in the greater Sacramento region. As a professional company, The Sacramento Ballet targets communities through its touring program, traveling throughout the greater Sacramento Valley and as far as Hawaii, Washington, and Victoria, B.C. In 2007, the Company presented their first international tour to the People’s Republic of China performing in Shanghai and Beijing. Through extensive Education and Outreach programs, the Ballet reaches approximately 40,000 participants each season. The Sacramento Ballet has received annual funding from corporations, foundations and government agencies to support its operational and artistic growth, including: California Arts Council, National Endowment for the Arts, Sacramento Regional Foundation, Sacramento Metropolitan Arts Council, The James Irvine Foundation, Target Stores, Raley’s Stores, Tri-Counties Bank, Chevron and the McClatchy Company to name a few. Since 1986, the company’s operating budget has grown steadily, and audience attendance has increased from 15,000 to over 80,000 each season. The Ballet remains the only Sacramento arts organization with a resident company of artists. The Sacramento Ballet entertains, educates, inspires, and engages people through the powerful vehicle of dance


Windfall Dancers INC is a company based out of 1101 N Dunn St, Bloomington, Indiana, United States. In 1978, Windfall Dancers was founded as a modern dance collective under the direction of Debra Knapp. She and three others, Liz Monnier, Cindy Clark (Brain), and Jackie Shilling (Pullano), present

HITS Theatre is one of the leading children's performing arts organizations in Houston providing comprehensive musical theatre training for grades K-12. HITS Theatre was founded in 1980 as a 501c3 not-for-profit corporation by Carolyn Franklin. HITS is located in the historic Houston Heights and pr

Ebony Repertory Theatre (ERT), a newly formed Equity Company, is the Resident Company and Operator of the Nate Holden Performing Arts Center, under the leadership of Founder/ Producer Wren T. Brown. ERT's commitment is to bring diverse, high standard, professional performing arts to the Mid-City com

Katsura est spécialisé dans la conception et la réalisation de spectacles Son et Lumière, d'événements et de scénographies. Nous prenons en charge l'ensemble du processus créatif, de la conception à la mise en scène, en passant par l'écriture, la création des décors et des costumes. Nous avons égal

FJA strives to inspire a jazz renaissance to transform the "Old Fillmore Jazz Preservation District" into the new "Fillmore Jazz District" through tourism to restore the disenfranchised Fillmore community by spreading jazz throughout the San Francisco Bay Area. A San Francisco Human Right's Commis

Our mission is to guide a new generation of performing artists as they learn from — and collaborate with — our world-class faculty of working professionals. We use and discover innovative teaching techniques that ignite curiosity, inspire confidence, and promote risk-taking because we believe the wo
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The Sacramento Ballet will debut its new version of Cinderella on Friday night, featuring a live orchestra, new choreography and 38...
It was the weekend after Halloween, but there was a costume party at the Sacramento Ballet's midtown studio. About 200 youth cast members in “The...

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Sacramento Ballet is http://www.sacballet.org.
According to Rankiteo, Sacramento Ballet’s AI-generated cybersecurity score is 760, reflecting their Fair security posture.
According to Rankiteo, Sacramento Ballet currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Sacramento Ballet is not certified under SOC 2 Type 1.
According to Rankiteo, Sacramento Ballet does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Sacramento Ballet is not listed as GDPR compliant.
According to Rankiteo, Sacramento Ballet does not currently maintain PCI DSS compliance.
According to Rankiteo, Sacramento Ballet is not compliant with HIPAA regulations.
According to Rankiteo,Sacramento Ballet is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Sacramento Ballet operates primarily in the Performing Arts industry.
Sacramento Ballet employs approximately 35 people worldwide.
Sacramento Ballet presently has no subsidiaries across any sectors.
Sacramento Ballet’s official LinkedIn profile has approximately 312 followers.
No, Sacramento Ballet does not have a profile on Crunchbase.
Yes, Sacramento Ballet maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/sacramento-ballet.
As of December 15, 2025, Rankiteo reports that Sacramento Ballet has not experienced any cybersecurity incidents.
Sacramento Ballet has an estimated 2,701 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Sacramento Ballet has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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NXLog Agent before 6.11 can load a file specified by the OPENSSL_CONF environment variable.
uriparser through 0.9.9 allows unbounded recursion and stack consumption, as demonstrated by ParseMustBeSegmentNzNc with large input containing many commas.
A vulnerability was detected in Mayan EDMS up to 4.10.1. The affected element is an unknown function of the file /authentication/. The manipulation results in cross site scripting. The attack may be performed from remote. The exploit is now public and may be used. Upgrading to version 4.10.2 is sufficient to fix this issue. You should upgrade the affected component. The vendor confirms that this is "[f]ixed in version 4.10.2". Furthermore, that "[b]ackports for older versions in process and will be out as soon as their respective CI pipelines complete."
MJML through 4.18.0 allows mj-include directory traversal to test file existence and (in the type="css" case) read files. NOTE: this issue exists because of an incomplete fix for CVE-2020-12827.
A half-blind Server Side Request Forgery (SSRF) vulnerability exists in kube-controller-manager when using the in-tree Portworx StorageClass. This vulnerability allows authorized users to leak arbitrary information from unprotected endpoints in the control plane’s host network (including link-local or loopback services).

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