Company Details
mocada-museum-of-contemporary-african-diasporan-art
14
1,283
712
mocada.org
0
MOC_2253010
In-progress

MoCADA - Museum of Contemporary African Diasporan Art Company CyberSecurity Posture
mocada.orgMISSION The Museum of Contemporary African Diasporan Arts (MoCADA) uses the visual arts as a point of departure for exploring new artistic production across a variety of disciplines. Through exhibitions and programming, MoCADA incites dialogue on pressing social and political issues facing the African Diaspora, and fosters a dynamic space for the creation and continuous evolution of culture. HISTORY MoCADA was founded in 1999 by Laurie Angela Cumbo in a brownstone owned by the Bridge Street AWME Church in the Bedford Stuyvesant community of Brooklyn, New York. The concept of the museum grew from Ms. Cumbo’s graduate thesis at New York University, which focused on the feasibility of an African diaspora museum contributing to the revitalization of central Brooklyn economically, socially and aesthetically. The museum began with socially and politically charged exhibitions and public programs focused on contemporary issues impacting people of the African diaspora. Fourteen years later, MoCADA has grown to serve both adults and youth throughout the diaspora, with an emphasis on underserved communities of color, through a diverse range of exhibitions, education and community programs. In 2006, MoCADA relocated to the ground floor of James E. Davis 80 Arts Building within the BAM Cultural District in a space designed by the architectural firm of studiosumo. The larger space gives MoCADA an opportunity to expand its audiences and its programming, which includes the Exhibition and Curatorial Program, The Curatorial Fellowship and Internship Program, the Educational Artist-In-Schools and Guided Tours Program, the KIDflix Film Fest of Bed-Stuy, MoCADA Television, and the Soul of Brooklyn Tourism Initiative. MoCADA is currently working with Rodney Leon Architects PLLC to plan for the future home of MoCADA.
Company Details
mocada-museum-of-contemporary-african-diasporan-art
14
1,283
712
mocada.org
0
MOC_2253010
In-progress
Between 750 and 799

MMCADA Global Score (TPRM)XXXX



No incidents recorded for MoCADA - Museum of Contemporary African Diasporan Art in 2025.
No incidents recorded for MoCADA - Museum of Contemporary African Diasporan Art in 2025.
No incidents recorded for MoCADA - Museum of Contemporary African Diasporan Art in 2025.
MMCADA cyber incidents detection timeline including parent company and subsidiaries

MISSION The Museum of Contemporary African Diasporan Arts (MoCADA) uses the visual arts as a point of departure for exploring new artistic production across a variety of disciplines. Through exhibitions and programming, MoCADA incites dialogue on pressing social and political issues facing the African Diaspora, and fosters a dynamic space for the creation and continuous evolution of culture. HISTORY MoCADA was founded in 1999 by Laurie Angela Cumbo in a brownstone owned by the Bridge Street AWME Church in the Bedford Stuyvesant community of Brooklyn, New York. The concept of the museum grew from Ms. Cumbo’s graduate thesis at New York University, which focused on the feasibility of an African diaspora museum contributing to the revitalization of central Brooklyn economically, socially and aesthetically. The museum began with socially and politically charged exhibitions and public programs focused on contemporary issues impacting people of the African diaspora. Fourteen years later, MoCADA has grown to serve both adults and youth throughout the diaspora, with an emphasis on underserved communities of color, through a diverse range of exhibitions, education and community programs. In 2006, MoCADA relocated to the ground floor of James E. Davis 80 Arts Building within the BAM Cultural District in a space designed by the architectural firm of studiosumo. The larger space gives MoCADA an opportunity to expand its audiences and its programming, which includes the Exhibition and Curatorial Program, The Curatorial Fellowship and Internship Program, the Educational Artist-In-Schools and Guided Tours Program, the KIDflix Film Fest of Bed-Stuy, MoCADA Television, and the Soul of Brooklyn Tourism Initiative. MoCADA is currently working with Rodney Leon Architects PLLC to plan for the future home of MoCADA.


Norman Foster's building provides the setting for a successful synergy between Art and Business. ArtMoorHouse is a new creative space in the heart of the City. Our aim is to provide a rolling programme of high-profile Fine art and Design exhibitions and events. From internationally acclaimed and we

The Tampa Bay History Center takes you on a 12,000-year journey through the past, highlighting the people and stories of Florida's West Coast. With three floors of cutting-edge exhibits and theaters, the History Center offers a unique experience for visitors of all ages and provides a sense of place

The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) is Queensland’s premier visual arts institution, located across two adjacent riverside buildings in the Queensland Cultural Centre at Brisbane’s South Bank. Founded in 1895, the Queensland Art Gallery (QAG) has occupied its current award-wi

With over 200 staff members, hundreds of volunteers and thousands of partners in historical societies, local history groups and local and state government, Ohio History Connection champions all Ohio history. Mission Spark discovery of Ohio's stories. Embrace the present, share the past and transf

Inspiring New Learning about the Wabanaki Nations with Every Visit In recent years, the Abbe has grown from a small trailside museum, privately operated within Acadia National Park, to an exciting contemporary museum in the heart of downtown Bar Harbor. At the Abbe’s downtown museum, visitors

On September 17, 1976, the state opened three North Carolina Marine Resources Centers – one at Fort Fisher, one at Pine Knoll Shores, and one on Roanoke Island. The centers were launched as research and education facilities, which also offered small exhibits that were open to the public. The center
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Braiding is universal — but it strikes a particularly intimate chord with African-American women.

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of MoCADA - Museum of Contemporary African Diasporan Art is http://www.mocada.org.
According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art’s AI-generated cybersecurity score is 761, reflecting their Fair security posture.
According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art is not certified under SOC 2 Type 1.
According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art does not hold a SOC 2 Type 2 certification.
According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art is not listed as GDPR compliant.
According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art does not currently maintain PCI DSS compliance.
According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art is not compliant with HIPAA regulations.
According to Rankiteo,MoCADA - Museum of Contemporary African Diasporan Art is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
MoCADA - Museum of Contemporary African Diasporan Art operates primarily in the Museums, Historical Sites, and Zoos industry.
MoCADA - Museum of Contemporary African Diasporan Art employs approximately 14 people worldwide.
MoCADA - Museum of Contemporary African Diasporan Art presently has no subsidiaries across any sectors.
MoCADA - Museum of Contemporary African Diasporan Art’s official LinkedIn profile has approximately 1,283 followers.
MoCADA - Museum of Contemporary African Diasporan Art is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, MoCADA - Museum of Contemporary African Diasporan Art does not have a profile on Crunchbase.
Yes, MoCADA - Museum of Contemporary African Diasporan Art maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/mocada-museum-of-contemporary-african-diasporan-art.
As of December 03, 2025, Rankiteo reports that MoCADA - Museum of Contemporary African Diasporan Art has not experienced any cybersecurity incidents.
MoCADA - Museum of Contemporary African Diasporan Art has an estimated 2,134 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, MoCADA - Museum of Contemporary African Diasporan Art has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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vLLM is an inference and serving engine for large language models (LLMs). Prior to 0.11.1, vllm has a critical remote code execution vector in a config class named Nemotron_Nano_VL_Config. When vllm loads a model config that contains an auto_map entry, the config class resolves that mapping with get_class_from_dynamic_module(...) and immediately instantiates the returned class. This fetches and executes Python from the remote repository referenced in the auto_map string. Crucially, this happens even when the caller explicitly sets trust_remote_code=False in vllm.transformers_utils.config.get_config. In practice, an attacker can publish a benign-looking frontend repo whose config.json points via auto_map to a separate malicious backend repo; loading the frontend will silently run the backend’s code on the victim host. This vulnerability is fixed in 0.11.1.
fastify-reply-from is a Fastify plugin to forward the current HTTP request to another server. Prior to 12.5.0, by crafting a malicious URL, an attacker could access routes that are not allowed, even though the reply.from is defined for specific routes in @fastify/reply-from. This vulnerability is fixed in 12.5.0.
Angular is a development platform for building mobile and desktop web applications using TypeScript/JavaScript and other languages. Prior to 21.0.2, 20.3.15, and 19.2.17, A Stored Cross-Site Scripting (XSS) vulnerability has been identified in the Angular Template Compiler. It occurs because the compiler's internal security schema is incomplete, allowing attackers to bypass Angular's built-in security sanitization. Specifically, the schema fails to classify certain URL-holding attributes (e.g., those that could contain javascript: URLs) as requiring strict URL security, enabling the injection of malicious scripts. This vulnerability is fixed in 21.0.2, 20.3.15, and 19.2.17.
Gin-vue-admin is a backstage management system based on vue and gin. In 2.8.6 and earlier, attackers can delete any file on the server at will, causing damage or unavailability of server resources. Attackers can control the 'FileMd5' parameter to delete any file and folder.
Portkey.ai Gateway is a blazing fast AI Gateway with integrated guardrails. Prior to 1.14.0, the gateway determined the destination baseURL by prioritizing the value in the x-portkey-custom-host request header. The proxy route then appends the client-specified path to perform an external fetch. This can be maliciously used by users for SSRF attacks. This vulnerability is fixed in 1.14.0.

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