Company Details
longbeachopera
29
1,442
7111
longbeachopera.org
0
LON_1059279
In-progress

Long Beach Opera Company CyberSecurity Posture
longbeachopera.orgEstablished in 1979, Long Beach Opera (LBO) stands as the longest-running opera organization in the greater Los Angeles region. Having presented well over 100 productions in that time, LBO has carved out its space as a leader in innovating opera from its founding through the 21st century. With repertoire ranging from the early Baroque to the commissioning of contemporary works and world premieres, the company embraces the idea that no experience will be standard or traditional. This commitment to the future of opera has earned critical acclaim, both locally and nationally, and also secured funding from institutions such as the National Endowment for the Arts, the California Arts Council, the County of Los Angeles, the City of Long Beach, the Mellon Foundation, the Ralph M. Parsons Foundation, the Knight Foundation, and countless others. LBO's history demonstrates that its purpose is the advancement of opera and operatic experiences; embodied by stating that it creates “opera for a new era.” LBO’s highlights include a long list of premieres, monumental works, and a roster of both creative legends and up-and-coming talent which has resulted in accolades; including the 2019 commission and world premiere of Anthony Davis’ 'The Central Park Five' which consequently won the 2020 Pulitzer Prize. Other world premieres have included Kate Soper's 'The Romance of the Rose,' Stewart Copeland’s 'The Invention of Morel,' Tobin Stokes’ 'Fallujah,' and Stewart Wallace’s 'Hopper’s Wife.' Also of note are many American premieres including works by Glass, Vivaldi, Mozart, Handel, Piazzolla, and more. The company’s fierce commitment to collaborations with composers, vocalists, instrumentalists, dancers, filmmakers, curators, conductors, designers, community partners, and more has created a rich legacy at the company. LBO continues to be home to artistic innovators in production, directorial work, and music with a bright future that is abundant with creative possibilities.
Company Details
longbeachopera
29
1,442
7111
longbeachopera.org
0
LON_1059279
In-progress
Between 750 and 799

LBO Global Score (TPRM)XXXX



No incidents recorded for Long Beach Opera in 2025.
No incidents recorded for Long Beach Opera in 2025.
No incidents recorded for Long Beach Opera in 2025.
LBO cyber incidents detection timeline including parent company and subsidiaries

Established in 1979, Long Beach Opera (LBO) stands as the longest-running opera organization in the greater Los Angeles region. Having presented well over 100 productions in that time, LBO has carved out its space as a leader in innovating opera from its founding through the 21st century. With repertoire ranging from the early Baroque to the commissioning of contemporary works and world premieres, the company embraces the idea that no experience will be standard or traditional. This commitment to the future of opera has earned critical acclaim, both locally and nationally, and also secured funding from institutions such as the National Endowment for the Arts, the California Arts Council, the County of Los Angeles, the City of Long Beach, the Mellon Foundation, the Ralph M. Parsons Foundation, the Knight Foundation, and countless others. LBO's history demonstrates that its purpose is the advancement of opera and operatic experiences; embodied by stating that it creates “opera for a new era.” LBO’s highlights include a long list of premieres, monumental works, and a roster of both creative legends and up-and-coming talent which has resulted in accolades; including the 2019 commission and world premiere of Anthony Davis’ 'The Central Park Five' which consequently won the 2020 Pulitzer Prize. Other world premieres have included Kate Soper's 'The Romance of the Rose,' Stewart Copeland’s 'The Invention of Morel,' Tobin Stokes’ 'Fallujah,' and Stewart Wallace’s 'Hopper’s Wife.' Also of note are many American premieres including works by Glass, Vivaldi, Mozart, Handel, Piazzolla, and more. The company’s fierce commitment to collaborations with composers, vocalists, instrumentalists, dancers, filmmakers, curators, conductors, designers, community partners, and more has created a rich legacy at the company. LBO continues to be home to artistic innovators in production, directorial work, and music with a bright future that is abundant with creative possibilities.


FIBER is an Amsterdam based festival and platform, which presents and supports new developments in audiovisual art, digital culture and electronic music. The team works year round with a vibrant network of artists, designers, researchers and developers, who aspire to introduce mind-bending experienc

The Venice Biennale has for over a century been one of the most prestigious cultural institutions in the world. Ever since its foundation in 1895, it has been in the avant-garde, promoting new artistic trends and organising international events in contemporary arts. It is world-beating for the Int

Opera Omaha is a growth-minded, high energy, and innovative company with a demanding mission: producing opera performances in multiple formats and styles and co-creating artist-led programs for a variety of community service organizations. We believe the power of opera is transformational, and as a

The mission of the Alive Theatre Company is to establish theatre as an exciting and essential form of expression and entertainment for a new generation not yet aware of the potency of experiencing living art. Knowing that not all who wander are lost, this band of nomadic artists traverses the
Through the art of the theatrical clown and the one-ring circus, My Nose Turns Red cultivates a supportive environment that inspires youth to challenge themselves, develop essential life skills and engage audiences. Every yea,r MNTR provides training and performance opportunities for over 3t0 youth

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The Hamad Bin Khalifa Department of Projects is partnering with a number of Israeli businessmen and Unit 8200, an intelligence division of...

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Long Beach Opera is https://www.longbeachopera.org.
According to Rankiteo, Long Beach Opera’s AI-generated cybersecurity score is 758, reflecting their Fair security posture.
According to Rankiteo, Long Beach Opera currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Long Beach Opera is not certified under SOC 2 Type 1.
According to Rankiteo, Long Beach Opera does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Long Beach Opera is not listed as GDPR compliant.
According to Rankiteo, Long Beach Opera does not currently maintain PCI DSS compliance.
According to Rankiteo, Long Beach Opera is not compliant with HIPAA regulations.
According to Rankiteo,Long Beach Opera is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Long Beach Opera operates primarily in the Performing Arts industry.
Long Beach Opera employs approximately 29 people worldwide.
Long Beach Opera presently has no subsidiaries across any sectors.
Long Beach Opera’s official LinkedIn profile has approximately 1,442 followers.
Long Beach Opera is classified under the NAICS code 7111, which corresponds to Performing Arts Companies.
No, Long Beach Opera does not have a profile on Crunchbase.
Yes, Long Beach Opera maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/longbeachopera.
As of December 13, 2025, Rankiteo reports that Long Beach Opera has not experienced any cybersecurity incidents.
Long Beach Opera has an estimated 2,699 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Long Beach Opera has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, there is no handler for JSON parsing errors; SyntaxError from express.json() includes user input in the error message, which gets reflected in responses. User input (including HTML/JavaScript) can be exposed in error responses, creating an XSS risk if Content-Type isn't strictly enforced. This issue does not have a fix at the time of publication.
LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when creating prompts, JSON requests are sent to define and modify the prompts via PATCH endpoint for prompt groups (/api/prompts/groups/:groupId). However, the request bodies are not sufficiently validated for proper input, enabling users to modify prompts in a way that was not intended as part of the front end system. The patchPromptGroup function passes req.body directly to updatePromptGroup() without filtering sensitive fields. This issue is fixed in version 0.8.1.
LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when a user posts a question, the iconURL parameter of the POST request can be modified by an attacker. The malicious code is then stored in the chat which can then be shared to other users. When sharing chats with a potentially malicious “tracker”, resources loaded can lead to loss of privacy for users who view the chat link that is sent to them. This issue is fixed in version 0.8.1.
MaxKB is an open-source AI assistant for enterprise. Versions 2.3.1 and below have improper file permissions which allow attackers to overwrite the built-in dynamic linker and other critical files, potentially resulting in privilege escalation. This issue is fixed in version 2.4.0.
MaxKB is an open-source AI assistant for enterprise. In versions 2.3.1 and below, the tool module allows an attacker to escape the sandbox environment and escalate privileges under certain concurrent conditions. This issue is fixed in version 2.4.0.

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