Company Details
hood-museum-of-art
58
759
712
dartmouth.edu
0
HOO_1783127
In-progress


Hood Museum of Art Company CyberSecurity Posture
dartmouth.eduThe Hood Museum of Art at Dartmouth enables and cultivates transformative encounters with works of artistic and cultural significance to advance critical thinking and enrich people’s lives. Dartmouth’s collections are among the oldest and largest of any college or university in the country, but it was not until the Charles Moore–designed Hood Museum of Art opened its doors in 1985 that they were all housed under one roof and made available to faculty, students, and the public. When first accredited in 1990, the Hood was already described by the American Association of Museums (now the American Alliance of Museums) as a “national model” for college and university museums. The museum has been consistently accredited since then and subsequently labeled “as fine a museum as one can find in this country.” The Hood’s collections are drawn from a broad range of cultures and historical periods and represent a remarkable educational asset for both Dartmouth and the communities of the Upper Valley region of New Hampshire and Vermont. Among the museum’s most important holdings are six Assyrian stone reliefs from the palace of Ashurnasirpal II (about 900 BCE) and the remarkable fresco by José Clemente Orozco titled The Epic of American Civilization (1932–34), which is now a National Historic Landmark. The 65,000 objects in the museum’s care represent the diverse artistic traditions of six continents, including, broadly, Native American, European and American, Asian, Aboriginal Australian, African, and Melanesian art. The museum collects, preserves, and makes available for interpretation these works in the public trust and for the benefit of all.
Company Details
hood-museum-of-art
58
759
712
dartmouth.edu
0
HOO_1783127
In-progress
Between 750 and 799

HMA Global Score (TPRM)XXXX



No incidents recorded for Hood Museum of Art in 2026.
No incidents recorded for Hood Museum of Art in 2026.
No incidents recorded for Hood Museum of Art in 2026.
HMA cyber incidents detection timeline including parent company and subsidiaries

The Hood Museum of Art at Dartmouth enables and cultivates transformative encounters with works of artistic and cultural significance to advance critical thinking and enrich people’s lives. Dartmouth’s collections are among the oldest and largest of any college or university in the country, but it was not until the Charles Moore–designed Hood Museum of Art opened its doors in 1985 that they were all housed under one roof and made available to faculty, students, and the public. When first accredited in 1990, the Hood was already described by the American Association of Museums (now the American Alliance of Museums) as a “national model” for college and university museums. The museum has been consistently accredited since then and subsequently labeled “as fine a museum as one can find in this country.” The Hood’s collections are drawn from a broad range of cultures and historical periods and represent a remarkable educational asset for both Dartmouth and the communities of the Upper Valley region of New Hampshire and Vermont. Among the museum’s most important holdings are six Assyrian stone reliefs from the palace of Ashurnasirpal II (about 900 BCE) and the remarkable fresco by José Clemente Orozco titled The Epic of American Civilization (1932–34), which is now a National Historic Landmark. The 65,000 objects in the museum’s care represent the diverse artistic traditions of six continents, including, broadly, Native American, European and American, Asian, Aboriginal Australian, African, and Melanesian art. The museum collects, preserves, and makes available for interpretation these works in the public trust and for the benefit of all.


Mission Tephra Institute of Contemporary Art (Tephra ICA) is a non-profit, non-collecting institution committed to promoting innovative contemporary art and thinking. The word “tephra” – matter ejected from geothermal eruptions that lands upon, nourishes, and changes the surrounding environment - e

Maymont, located in the heart of Richmond, Virginia, is a well-preserved 100 acres where all are welcome to connect with history, nature, wildlife and each other. Built as a Gilded Age estate overlooking the James River, Maymont opened to the public in 1926 and today offers free admission to explore

The Fashion and Textile Museum is the only museum in the UK dedicated to showcasing contemporary fashion and textile design. The Museum is committed to presenting varied, creative and engaging exhibitions, alongside an exciting selection of educational courses, talks, events and workshops. In place

Cape May MAC (Museums + Arts + Culture) is a multi-faceted non-profit organization that promotes the restoration, interpretation and cultural enrichment of greater Cape May for its residents and visitors. With a membership of more than 3,200, a paid staff of 160 and some 300 volunteers, Cape May MAC

The National Archives is the official archive of the UK government for England and Wales and the sector leader for archives in England. We are the government's knowledge and information champions, pioneers in the field of managing information. Our role is to make sure that key government informat
The Paley Center for Media, with locations in New York and Los Angeles, leads the conversation on the cultural, creative, and social impact of television, radio, and emerging platforms. Drawing on its curatorial expertise, international collection, and close ties with media leaders, the Paley Center

Es socia fundadora de K6 Gestión Cultural, desde 1989. A lo largo de su trayectoria profesional ha participado en numerosos proyectos relacionados con la creación/gestión de museos, realización de exposiciones, didáctica y comunicación museal. Además, ha tomado parte como museóloga en equipos plur

The USS Constitution Museum serves as the memory and educational voice of USS Constitution, by collecting, preserving, and interpreting the stories of “Old Ironsides” and the people associated with her. We seek to create a positive, memorable experience for families and individuals by inspiring with

The Indiana State Museum and Historic Sites is a statewide museum system with 12 locations, offering visitors a chance to engage with Indiana’s past and present and see how their actions help shape the future. At each location, visitors are invited to explore big questions and create lasting exper
.png)
When Cara Romero (b. 1977) found herself unable to adequately communicate in words her indigenous experience in America, she turned to...
The situation is the latest cybersecurity incident to hit a major manufacturing company, underscoring the reality that any company — even...
Men of Fire: José Clemente Orozco and Jackson Pollock, Hood Museum of Art, Through Jun 17, Then travels to the Pollock-Krasner House and Study Center.

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Hood Museum of Art is https://hoodmuseum.dartmouth.edu.
According to Rankiteo, Hood Museum of Art’s AI-generated cybersecurity score is 763, reflecting their Fair security posture.
According to Rankiteo, Hood Museum of Art currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Hood Museum of Art has not been affected by any supply chain cyber incidents, and no incident IDs are currently listed for the organization.
According to Rankiteo, Hood Museum of Art is not certified under SOC 2 Type 1.
According to Rankiteo, Hood Museum of Art does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Hood Museum of Art is not listed as GDPR compliant.
According to Rankiteo, Hood Museum of Art does not currently maintain PCI DSS compliance.
According to Rankiteo, Hood Museum of Art is not compliant with HIPAA regulations.
According to Rankiteo,Hood Museum of Art is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Hood Museum of Art operates primarily in the Museums, Historical Sites, and Zoos industry.
Hood Museum of Art employs approximately 58 people worldwide.
Hood Museum of Art presently has no subsidiaries across any sectors.
Hood Museum of Art’s official LinkedIn profile has approximately 759 followers.
Hood Museum of Art is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, Hood Museum of Art does not have a profile on Crunchbase.
Yes, Hood Museum of Art maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/hood-museum-of-art.
As of January 23, 2026, Rankiteo reports that Hood Museum of Art has not experienced any cybersecurity incidents.
Hood Museum of Art has an estimated 2,178 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Hood Museum of Art has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
.png)
Backstage is an open framework for building developer portals, and @backstage/backend-defaults provides the default implementations and setup for a standard Backstage backend app. Prior to versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0, the `FetchUrlReader` component, used by the catalog and other plugins to fetch content from URLs, followed HTTP redirects automatically. This allowed an attacker who controls a host listed in `backend.reading.allow` to redirect requests to internal or sensitive URLs that are not on the allowlist, bypassing the URL allowlist security control. This is a Server-Side Request Forgery (SSRF) vulnerability that could allow access to internal resources, but it does not allow attackers to include additional request headers. This vulnerability is fixed in `@backstage/backend-defaults` version 0.12.2, 0.13.2, 0.14.1, and 0.15.0. Users should upgrade to this version or later. Some workarounds are available. Restrict `backend.reading.allow` to only trusted hosts that you control and that do not issue redirects, ensure allowed hosts do not have open redirect vulnerabilities, and/or use network-level controls to block access from Backstage to sensitive internal endpoints.
Backstage is an open framework for building developer portals, and @backstage/cli-common provides config loading functionality used by the backend and command line interface of Backstage. Prior to version 0.1.17, the `resolveSafeChildPath` utility function in `@backstage/backend-plugin-api`, which is used to prevent path traversal attacks, failed to properly validate symlink chains and dangling symlinks. An attacker could bypass the path validation via symlink chains (creating `link1 → link2 → /outside` where intermediate symlinks eventually resolve outside the allowed directory) and dangling symlinks (creating symlinks pointing to non-existent paths outside the base directory, which would later be created during file operations). This function is used by Scaffolder actions and other backend components to ensure file operations stay within designated directories. This vulnerability is fixed in `@backstage/backend-plugin-api` version 0.1.17. Users should upgrade to this version or later. Some workarounds are available. Run Backstage in a containerized environment with limited filesystem access and/or restrict template creation to trusted users.
Backstage is an open framework for building developer portals. Multiple Scaffolder actions and archive extraction utilities were vulnerable to symlink-based path traversal attacks. An attacker with access to create and execute Scaffolder templates could exploit symlinks to read arbitrary files via the `debug:log` action by creating a symlink pointing to sensitive files (e.g., `/etc/passwd`, configuration files, secrets); delete arbitrary files via the `fs:delete` action by creating symlinks pointing outside the workspace, and write files outside the workspace via archive extraction (tar/zip) containing malicious symlinks. This affects any Backstage deployment where users can create or execute Scaffolder templates. This vulnerability is fixed in `@backstage/backend-defaults` versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0; `@backstage/plugin-scaffolder-backend` versions 2.2.2, 3.0.2, and 3.1.1; and `@backstage/plugin-scaffolder-node` versions 0.11.2 and 0.12.3. Users should upgrade to these versions or later. Some workarounds are available. Follow the recommendation in the Backstage Threat Model to limit access to creating and updating templates, restrict who can create and execute Scaffolder templates using the permissions framework, audit existing templates for symlink usage, and/or run Backstage in a containerized environment with limited filesystem access.
FastAPI Api Key provides a backend-agnostic library that provides an API key system. Version 1.1.0 has a timing side-channel vulnerability in verify_key(). The method applied a random delay only on verification failures, allowing an attacker to statistically distinguish valid from invalid API keys by measuring response latencies. With enough repeated requests, an adversary could infer whether a key_id corresponds to a valid key, potentially accelerating brute-force or enumeration attacks. All users relying on verify_key() for API key authentication prior to the fix are affected. Users should upgrade to version 1.1.0 to receive a patch. The patch applies a uniform random delay (min_delay to max_delay) to all responses regardless of outcome, eliminating the timing correlation. Some workarounds are available. Add an application-level fixed delay or random jitter to all authentication responses (success and failure) before the fix is applied and/or use rate limiting to reduce the feasibility of statistical timing attacks.
The Flux Operator is a Kubernetes CRD controller that manages the lifecycle of CNCF Flux CD and the ControlPlane enterprise distribution. Starting in version 0.36.0 and prior to version 0.40.0, a privilege escalation vulnerability exists in the Flux Operator Web UI authentication code that allows an attacker to bypass Kubernetes RBAC impersonation and execute API requests with the operator's service account privileges. In order to be vulnerable, cluster admins must configure the Flux Operator with an OIDC provider that issues tokens lacking the expected claims (e.g., `email`, `groups`), or configure custom CEL expressions that can evaluate to empty values. After OIDC token claims are processed through CEL expressions, there is no validation that the resulting `username` and `groups` values are non-empty. When both values are empty, the Kubernetes client-go library does not add impersonation headers to API requests, causing them to be executed with the flux-operator service account's credentials instead of the authenticated user's limited permissions. This can result in privilege escalation, data exposure, and/or information disclosure. Version 0.40.0 patches the issue.

Get company history
Every week, Rankiteo analyzes billions of signals to give organizations a sharper, faster view of emerging risks. With deeper, more actionable intelligence at their fingertips, security teams can outpace threat actors, respond instantly to Zero-Day attacks, and dramatically shrink their risk exposure window.
Identify exposed access points, detect misconfigured SSL certificates, and uncover vulnerabilities across the network infrastructure.
Gain visibility into the software components used within an organization to detect vulnerabilities, manage risk, and ensure supply chain security.
Monitor and manage all IT assets and their configurations to ensure accurate, real-time visibility across the company's technology environment.
Leverage real-time insights on active threats, malware campaigns, and emerging vulnerabilities to proactively defend against evolving cyberattacks.