Company Details
hood-museum-of-art
60
759
712
dartmouth.edu
0
HOO_1783127
In-progress

Hood Museum of Art Company CyberSecurity Posture
dartmouth.eduThe Hood Museum of Art at Dartmouth enables and cultivates transformative encounters with works of artistic and cultural significance to advance critical thinking and enrich people’s lives. Dartmouth’s collections are among the oldest and largest of any college or university in the country, but it was not until the Charles Moore–designed Hood Museum of Art opened its doors in 1985 that they were all housed under one roof and made available to faculty, students, and the public. When first accredited in 1990, the Hood was already described by the American Association of Museums (now the American Alliance of Museums) as a “national model” for college and university museums. The museum has been consistently accredited since then and subsequently labeled “as fine a museum as one can find in this country.” The Hood’s collections are drawn from a broad range of cultures and historical periods and represent a remarkable educational asset for both Dartmouth and the communities of the Upper Valley region of New Hampshire and Vermont. Among the museum’s most important holdings are six Assyrian stone reliefs from the palace of Ashurnasirpal II (about 900 BCE) and the remarkable fresco by José Clemente Orozco titled The Epic of American Civilization (1932–34), which is now a National Historic Landmark. The 65,000 objects in the museum’s care represent the diverse artistic traditions of six continents, including, broadly, Native American, European and American, Asian, Aboriginal Australian, African, and Melanesian art. The museum collects, preserves, and makes available for interpretation these works in the public trust and for the benefit of all.
Company Details
hood-museum-of-art
60
759
712
dartmouth.edu
0
HOO_1783127
In-progress
Between 750 and 799

HMA Global Score (TPRM)XXXX



No incidents recorded for Hood Museum of Art in 2025.
No incidents recorded for Hood Museum of Art in 2025.
No incidents recorded for Hood Museum of Art in 2025.
HMA cyber incidents detection timeline including parent company and subsidiaries

The Hood Museum of Art at Dartmouth enables and cultivates transformative encounters with works of artistic and cultural significance to advance critical thinking and enrich people’s lives. Dartmouth’s collections are among the oldest and largest of any college or university in the country, but it was not until the Charles Moore–designed Hood Museum of Art opened its doors in 1985 that they were all housed under one roof and made available to faculty, students, and the public. When first accredited in 1990, the Hood was already described by the American Association of Museums (now the American Alliance of Museums) as a “national model” for college and university museums. The museum has been consistently accredited since then and subsequently labeled “as fine a museum as one can find in this country.” The Hood’s collections are drawn from a broad range of cultures and historical periods and represent a remarkable educational asset for both Dartmouth and the communities of the Upper Valley region of New Hampshire and Vermont. Among the museum’s most important holdings are six Assyrian stone reliefs from the palace of Ashurnasirpal II (about 900 BCE) and the remarkable fresco by José Clemente Orozco titled The Epic of American Civilization (1932–34), which is now a National Historic Landmark. The 65,000 objects in the museum’s care represent the diverse artistic traditions of six continents, including, broadly, Native American, European and American, Asian, Aboriginal Australian, African, and Melanesian art. The museum collects, preserves, and makes available for interpretation these works in the public trust and for the benefit of all.


The Walker Art Center is a catalyst for the creative expression of artists and the active engagement of audiences. Focusing on the visual, performing, and media arts of our time, the Walker takes a global, multidisciplinary, and diverse approach to the creation, presentation, interpretation, collect

At Face to Face struggling families, individuals and the homeless are welcomed and treated with dignity and respect. Our goal is to meet basic human needs and reduce suffering; thereby assisting our guests to a better future. Face to Face offers a Dining Room, a nurse managed Health Center, a Lega

Chiltern Open Air Museum was founded in 1976 with the aim of rescuing threatened buildings. More than thirty historic building have now been saved and rebuilt at the site, and there are more in store. The Museum only accepts buildings that would otherwise be demolished. The Museum’s collection fo
Already recognized as a leader in inquiry-based learning, Kentucky Science Center is advancing a statewide science literacy campaign to encourage people of all ages to explore science in everyday life. Its flagship location on Louisville, KY’s historic Museum Row, welcomes visitors from across the g

Dundee Science Centre is a charity and lifelong learning resource for the community. We are here to help families learn together, to support the formal school curriculum, advance the science communication profession, bring together science and the public and help others to do the same. Our outrea
A museum of contemporary art especially dedicated to the living art, exploring the relation between at and nature, art and science, in a truely ecological sense. PAV is a little, eco-sustainable museum with exposition rooms and a laboratory, encircled by green park enriched by permanent and tempora
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When Cara Romero (b. 1977) found herself unable to adequately communicate in words her indigenous experience in America, she turned to...
A ransomware attack against the Grand Palais in Paris is being investigated, but the Olympic games have gone ahead unaffected.
The first major exhibition devoted to Aboriginal bark painting outside of Australia displays nearly 90 works to illuminate the continent's...
The situation is the latest cybersecurity incident to hit a major manufacturing company, underscoring the reality that any company — even...
Men of Fire: José Clemente Orozco and Jackson Pollock, Hood Museum of Art, Through Jun 17, Then travels to the Pollock-Krasner House and Study Center.

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Hood Museum of Art is https://hoodmuseum.dartmouth.edu.
According to Rankiteo, Hood Museum of Art’s AI-generated cybersecurity score is 763, reflecting their Fair security posture.
According to Rankiteo, Hood Museum of Art currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Hood Museum of Art is not certified under SOC 2 Type 1.
According to Rankiteo, Hood Museum of Art does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Hood Museum of Art is not listed as GDPR compliant.
According to Rankiteo, Hood Museum of Art does not currently maintain PCI DSS compliance.
According to Rankiteo, Hood Museum of Art is not compliant with HIPAA regulations.
According to Rankiteo,Hood Museum of Art is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Hood Museum of Art operates primarily in the Museums, Historical Sites, and Zoos industry.
Hood Museum of Art employs approximately 60 people worldwide.
Hood Museum of Art presently has no subsidiaries across any sectors.
Hood Museum of Art’s official LinkedIn profile has approximately 759 followers.
Hood Museum of Art is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, Hood Museum of Art does not have a profile on Crunchbase.
Yes, Hood Museum of Art maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/hood-museum-of-art.
As of December 03, 2025, Rankiteo reports that Hood Museum of Art has not experienced any cybersecurity incidents.
Hood Museum of Art has an estimated 2,131 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Hood Museum of Art has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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vLLM is an inference and serving engine for large language models (LLMs). Prior to 0.11.1, vllm has a critical remote code execution vector in a config class named Nemotron_Nano_VL_Config. When vllm loads a model config that contains an auto_map entry, the config class resolves that mapping with get_class_from_dynamic_module(...) and immediately instantiates the returned class. This fetches and executes Python from the remote repository referenced in the auto_map string. Crucially, this happens even when the caller explicitly sets trust_remote_code=False in vllm.transformers_utils.config.get_config. In practice, an attacker can publish a benign-looking frontend repo whose config.json points via auto_map to a separate malicious backend repo; loading the frontend will silently run the backend’s code on the victim host. This vulnerability is fixed in 0.11.1.
fastify-reply-from is a Fastify plugin to forward the current HTTP request to another server. Prior to 12.5.0, by crafting a malicious URL, an attacker could access routes that are not allowed, even though the reply.from is defined for specific routes in @fastify/reply-from. This vulnerability is fixed in 12.5.0.
Angular is a development platform for building mobile and desktop web applications using TypeScript/JavaScript and other languages. Prior to 21.0.2, 20.3.15, and 19.2.17, A Stored Cross-Site Scripting (XSS) vulnerability has been identified in the Angular Template Compiler. It occurs because the compiler's internal security schema is incomplete, allowing attackers to bypass Angular's built-in security sanitization. Specifically, the schema fails to classify certain URL-holding attributes (e.g., those that could contain javascript: URLs) as requiring strict URL security, enabling the injection of malicious scripts. This vulnerability is fixed in 21.0.2, 20.3.15, and 19.2.17.
Gin-vue-admin is a backstage management system based on vue and gin. In 2.8.6 and earlier, attackers can delete any file on the server at will, causing damage or unavailability of server resources. Attackers can control the 'FileMd5' parameter to delete any file and folder.
Portkey.ai Gateway is a blazing fast AI Gateway with integrated guardrails. Prior to 1.14.0, the gateway determined the destination baseURL by prioritizing the value in the x-portkey-custom-host request header. The proxy route then appends the client-specified path to perform an external fetch. This can be maliciously used by users for SSRF attacks. This vulnerability is fixed in 1.14.0.

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