Company Details
heard-museum
93
3,111
712
heard.org
0
HEA_5578650
In-progress


Heard Museum Company CyberSecurity Posture
heard.orghttp://www.facebook.com/HeardMuseum http://www.twitter.com/HeardMuseum https://instagram.com/heardmuseum https://www.youtube.com/user/HeardMuseum https://www.pinterest.com/heardmuseum/ The Heard Museum is a private, nonprofit institution whose mission is to educate visitors and promote greater public understanding of the arts, heritage and life ways of the indigenous peoples of the Americas, with an emphasis on American Indian tribes and other cultures of the Southwest. Since its founding by Dwight and Maie Heard in 1929, the Heard Museum has grown in size and stature to become recognized internationally for the quality of its collections, its educational programming and its festivals. Dedicated to the sensitive and accurate portrayal of Native arts and cultures, the Heard is an institution that successfully combines the stories of American Indian people from a personal perspective with the beauty of art. Through innovative programs, world-class exhibitions and unmatched festivals, the Heard Museum sets the standard nationally for collaborating with Native people to present first-person voices. Partnerships with American Indian artists and tribal communities provide visitors with a distinctive perspective about the art and cultures of Native people, especially those from the Southwest. The museum houses over 40,000 items in its permanent collections and archives and contains over 130,000 square feet of gallery, classroom and performance space and receives over 250,000 visitors a year from around the globe. In addition, the Heard Museum Shop guarantees authenticity, as our buyers deal directly with American Indian artists, thus ensuring the integrity and authenticity of the art offered for sale.
Company Details
heard-museum
93
3,111
712
heard.org
0
HEA_5578650
In-progress
Between 750 and 799

Heard Museum Global Score (TPRM)XXXX



No incidents recorded for Heard Museum in 2026.
No incidents recorded for Heard Museum in 2026.
No incidents recorded for Heard Museum in 2026.
Heard Museum cyber incidents detection timeline including parent company and subsidiaries

http://www.facebook.com/HeardMuseum http://www.twitter.com/HeardMuseum https://instagram.com/heardmuseum https://www.youtube.com/user/HeardMuseum https://www.pinterest.com/heardmuseum/ The Heard Museum is a private, nonprofit institution whose mission is to educate visitors and promote greater public understanding of the arts, heritage and life ways of the indigenous peoples of the Americas, with an emphasis on American Indian tribes and other cultures of the Southwest. Since its founding by Dwight and Maie Heard in 1929, the Heard Museum has grown in size and stature to become recognized internationally for the quality of its collections, its educational programming and its festivals. Dedicated to the sensitive and accurate portrayal of Native arts and cultures, the Heard is an institution that successfully combines the stories of American Indian people from a personal perspective with the beauty of art. Through innovative programs, world-class exhibitions and unmatched festivals, the Heard Museum sets the standard nationally for collaborating with Native people to present first-person voices. Partnerships with American Indian artists and tribal communities provide visitors with a distinctive perspective about the art and cultures of Native people, especially those from the Southwest. The museum houses over 40,000 items in its permanent collections and archives and contains over 130,000 square feet of gallery, classroom and performance space and receives over 250,000 visitors a year from around the globe. In addition, the Heard Museum Shop guarantees authenticity, as our buyers deal directly with American Indian artists, thus ensuring the integrity and authenticity of the art offered for sale.


The Maryland Center for History and Culture (MCHC), originally founded as the Maryland Historical Society in 1844, is the state’s oldest continuously operating cultural institution. In keeping with the founders’ commitment to preserve the remnants of Maryland’s past, the MCHC remains the premier ins

The Museum of Human Rights, Freedom and Tolerance was established in 2009 with a mission to promote the universal message of freedom as basic human right, educate public about the struggle for tolerance and against oppression, and to help diverse communities preserve the memories of genocide and per

Knoxville Zoo is a non-profit organization whose mission is to inspire action for wildlife and wild places through dynamic guest experiences. Accredited by the Association of Zoos and Aquariums (AZA), Knoxville Zoo welcomes more than 430,000 visitors annually and is Knoxville's most popular destina

A pivotal navigation tool and unique landmark of St. Augustine for over 150 years, the St. Augustine Light House and Maritime Museum, Inc. is a non profit Museum with a mission to discover, preserve present and keep alive the stories of the nation's oldest port as symbolized by our working St. Augus

The Onassis Foundation USA, a non-profit organization established in 1999 and an affiliate of the parent Foundation in Greece, is committed to the promotion of Greek culture. By cooperating with educational and cultural institutions in Greece and throughout the Americas, the Onassis Foundation USA p

ABOUT US The USS Missouri Memorial Association, Inc. (the Association) is a non-profit 501(c)3 corporation established in the State of Hawaii in 1994. The two key purposes of the Association were initially: To relocate the USS Missouri (BB-63) to Hawaii to establish, operate and maintain a nat

The Netherlands Institute for Art History (RKD - Nederlands Instituut voor Kunstgeschiedenis) administers a unique collection of documentary, library and archive material pertaining to Western art from the late Middle Ages to the present. The RKD is an essential resource for art historians and anyon

The Flint Institute of Arts Museum + Art School is the second largest art museum in the State of Michigan and one of the largest museum art schools in the nation. Each year, more than 160,000 people visit the FIA’s galleries (free of charge) and participate in FIA programs and services. For more

Cranbrook Institute of Science is a science and natural history museum that strives to nurture curiosity, advance scientific literacy, and encourage advocacy for our natural and cultural worlds. As a premier resource for science and natural history, the Institute of Science consistently delivers an
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Bob Haozous: A Retrospective View,” on view at the Heard Museum in Phoenix through November 30, 2025, marks his first major retrospective.
Maria Martinez (1887–1980) is one of the great American Modernists. For proof, try making any argument she's not.
The 33rd annual World Championship Hoop Dance Contest takes place at the Heard Museum downtown Saturday and Sunday, February 18 and 19–one...
This exhibition explored the fascinating world of codebreaking, ciphers and secret communications. Visitors could discover the story of Alan Turing and his...
'David Hockney's Yosemite and Masters of California Basketry' exhibition installation view at the Heard Museum in Phoenix, Arizona.
The surprising answer can be found at the Heard Museum in Phoenix with its exhibit, Yua: Henri Matisse and the Inner Arctic Spirit.

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Heard Museum is http://www.heard.org.
According to Rankiteo, Heard Museum’s AI-generated cybersecurity score is 763, reflecting their Fair security posture.
According to Rankiteo, Heard Museum currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Heard Museum has not been affected by any supply chain cyber incidents, and no incident IDs are currently listed for the organization.
According to Rankiteo, Heard Museum is not certified under SOC 2 Type 1.
According to Rankiteo, Heard Museum does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Heard Museum is not listed as GDPR compliant.
According to Rankiteo, Heard Museum does not currently maintain PCI DSS compliance.
According to Rankiteo, Heard Museum is not compliant with HIPAA regulations.
According to Rankiteo,Heard Museum is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Heard Museum operates primarily in the Museums, Historical Sites, and Zoos industry.
Heard Museum employs approximately 93 people worldwide.
Heard Museum presently has no subsidiaries across any sectors.
Heard Museum’s official LinkedIn profile has approximately 3,111 followers.
Heard Museum is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, Heard Museum does not have a profile on Crunchbase.
Yes, Heard Museum maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/heard-museum.
As of January 22, 2026, Rankiteo reports that Heard Museum has not experienced any cybersecurity incidents.
Heard Museum has an estimated 2,178 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Heard Museum has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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Backstage is an open framework for building developer portals, and @backstage/backend-defaults provides the default implementations and setup for a standard Backstage backend app. Prior to versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0, the `FetchUrlReader` component, used by the catalog and other plugins to fetch content from URLs, followed HTTP redirects automatically. This allowed an attacker who controls a host listed in `backend.reading.allow` to redirect requests to internal or sensitive URLs that are not on the allowlist, bypassing the URL allowlist security control. This is a Server-Side Request Forgery (SSRF) vulnerability that could allow access to internal resources, but it does not allow attackers to include additional request headers. This vulnerability is fixed in `@backstage/backend-defaults` version 0.12.2, 0.13.2, 0.14.1, and 0.15.0. Users should upgrade to this version or later. Some workarounds are available. Restrict `backend.reading.allow` to only trusted hosts that you control and that do not issue redirects, ensure allowed hosts do not have open redirect vulnerabilities, and/or use network-level controls to block access from Backstage to sensitive internal endpoints.
Backstage is an open framework for building developer portals, and @backstage/cli-common provides config loading functionality used by the backend and command line interface of Backstage. Prior to version 0.1.17, the `resolveSafeChildPath` utility function in `@backstage/backend-plugin-api`, which is used to prevent path traversal attacks, failed to properly validate symlink chains and dangling symlinks. An attacker could bypass the path validation via symlink chains (creating `link1 → link2 → /outside` where intermediate symlinks eventually resolve outside the allowed directory) and dangling symlinks (creating symlinks pointing to non-existent paths outside the base directory, which would later be created during file operations). This function is used by Scaffolder actions and other backend components to ensure file operations stay within designated directories. This vulnerability is fixed in `@backstage/backend-plugin-api` version 0.1.17. Users should upgrade to this version or later. Some workarounds are available. Run Backstage in a containerized environment with limited filesystem access and/or restrict template creation to trusted users.
Backstage is an open framework for building developer portals. Multiple Scaffolder actions and archive extraction utilities were vulnerable to symlink-based path traversal attacks. An attacker with access to create and execute Scaffolder templates could exploit symlinks to read arbitrary files via the `debug:log` action by creating a symlink pointing to sensitive files (e.g., `/etc/passwd`, configuration files, secrets); delete arbitrary files via the `fs:delete` action by creating symlinks pointing outside the workspace, and write files outside the workspace via archive extraction (tar/zip) containing malicious symlinks. This affects any Backstage deployment where users can create or execute Scaffolder templates. This vulnerability is fixed in `@backstage/backend-defaults` versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0; `@backstage/plugin-scaffolder-backend` versions 2.2.2, 3.0.2, and 3.1.1; and `@backstage/plugin-scaffolder-node` versions 0.11.2 and 0.12.3. Users should upgrade to these versions or later. Some workarounds are available. Follow the recommendation in the Backstage Threat Model to limit access to creating and updating templates, restrict who can create and execute Scaffolder templates using the permissions framework, audit existing templates for symlink usage, and/or run Backstage in a containerized environment with limited filesystem access.
FastAPI Api Key provides a backend-agnostic library that provides an API key system. Version 1.1.0 has a timing side-channel vulnerability in verify_key(). The method applied a random delay only on verification failures, allowing an attacker to statistically distinguish valid from invalid API keys by measuring response latencies. With enough repeated requests, an adversary could infer whether a key_id corresponds to a valid key, potentially accelerating brute-force or enumeration attacks. All users relying on verify_key() for API key authentication prior to the fix are affected. Users should upgrade to version 1.1.0 to receive a patch. The patch applies a uniform random delay (min_delay to max_delay) to all responses regardless of outcome, eliminating the timing correlation. Some workarounds are available. Add an application-level fixed delay or random jitter to all authentication responses (success and failure) before the fix is applied and/or use rate limiting to reduce the feasibility of statistical timing attacks.
The Flux Operator is a Kubernetes CRD controller that manages the lifecycle of CNCF Flux CD and the ControlPlane enterprise distribution. Starting in version 0.36.0 and prior to version 0.40.0, a privilege escalation vulnerability exists in the Flux Operator Web UI authentication code that allows an attacker to bypass Kubernetes RBAC impersonation and execute API requests with the operator's service account privileges. In order to be vulnerable, cluster admins must configure the Flux Operator with an OIDC provider that issues tokens lacking the expected claims (e.g., `email`, `groups`), or configure custom CEL expressions that can evaluate to empty values. After OIDC token claims are processed through CEL expressions, there is no validation that the resulting `username` and `groups` values are non-empty. When both values are empty, the Kubernetes client-go library does not add impersonation headers to API requests, causing them to be executed with the flux-operator service account's credentials instead of the authenticated user's limited permissions. This can result in privilege escalation, data exposure, and/or information disclosure. Version 0.40.0 patches the issue.

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