Company Details
beeld-en-geluid
352
15,216
712
beeldengeluid.nl
0
NED_1317289
In-progress


Nederlands Instituut voor Beeld en Geluid Company CyberSecurity Posture
beeldengeluid.nlThe Netherlands Institute for Sound & Vision (Sound & Vision) maintains and provides access to over 70 per cent of the Dutch audio-visual heritage, comprising more than one million hours of television, radio, music and film, making it one of the largest audiovisual archives in Europe. Sound & Vision combines the highest professional standards concerning the release and storage of material, with easy access for its users, by using state of the art systems for asset management and storage. Sound & Vision is the business archive of the national broadcasting corporations as well as a cultural heritage institute. Sound & Vision has brought thousands of hours of archive footage on-line for educational use and also operates a facility for the general public, the Media Experience, which is visited by 200,000 people annually. In 2007, the seven-year Images for the Future programme was launched. The project, funded with a budget of €154 million from the FES Fund, will realise the digitisation of the Netherlands’ audiovisual memory in a process whereby Sound & Vision will conserve and digitise 17,500 hours of film, 124,000 hours of audio, 137,000 hours of video and 1.2 million photos. This material will be made available for (broadcast) professionals, education and the general public. In the scope of this project, Sound & Vision is experimenting with crowdsourcing.
Company Details
beeld-en-geluid
352
15,216
712
beeldengeluid.nl
0
NED_1317289
In-progress
Between 750 and 799

NIVBEG Global Score (TPRM)XXXX



No incidents recorded for Nederlands Instituut voor Beeld en Geluid in 2026.
No incidents recorded for Nederlands Instituut voor Beeld en Geluid in 2026.
No incidents recorded for Nederlands Instituut voor Beeld en Geluid in 2026.
NIVBEG cyber incidents detection timeline including parent company and subsidiaries

The Netherlands Institute for Sound & Vision (Sound & Vision) maintains and provides access to over 70 per cent of the Dutch audio-visual heritage, comprising more than one million hours of television, radio, music and film, making it one of the largest audiovisual archives in Europe. Sound & Vision combines the highest professional standards concerning the release and storage of material, with easy access for its users, by using state of the art systems for asset management and storage. Sound & Vision is the business archive of the national broadcasting corporations as well as a cultural heritage institute. Sound & Vision has brought thousands of hours of archive footage on-line for educational use and also operates a facility for the general public, the Media Experience, which is visited by 200,000 people annually. In 2007, the seven-year Images for the Future programme was launched. The project, funded with a budget of €154 million from the FES Fund, will realise the digitisation of the Netherlands’ audiovisual memory in a process whereby Sound & Vision will conserve and digitise 17,500 hours of film, 124,000 hours of audio, 137,000 hours of video and 1.2 million photos. This material will be made available for (broadcast) professionals, education and the general public. In the scope of this project, Sound & Vision is experimenting with crowdsourcing.


OUR MISSION The Mission of the Columbia Gorge Discovery Center & Museum is to inspire appreciation and stewardship of the Columbia River Gorge and Wasco County through collection, preservation, and interpretation of cultural and natural history resources. OUR FACILITY The building is a 48,200 sq.

The Museum of Contemporary Art (MCA) Chicago offers exhibitions of the most thought-provoking art created since 1945. The MCA documents contemporary visual culture through painting, sculpture, photography, video and film, and performance. Located in the heart of downtown Chicago, the MCA boasts a gi

Animating History is an innovative workshop program for youth that connects media literacy and storytelling with building a sense of community through the creative exploration of local history. Students work with a professional animator, learn “hands on” all parts of the animation process, and creat

Making Science, Technology, Engineering and Maths (STEM) fun, exciting, engaging and inspiring for families, schools and communities is our core mission. Established in 1989, Aberdeen Science Centre is a recognised charity that aims to serve as a STEM Hub to connect and engage members of the pub

Located in the city of Columbia and the County of Boone in Missouri, we preserve the our County's past for the future. Objectives include, collecting, preserving and exhibiting historic artifacts and records of residents and organizations from Boone County. The Boone County Historical Society opera
Connecticut's Beardsley Zoo is the state's only zoo - providing wild experiences for more than 100 years. Visit more than 350 species of primarily North and South American animals, including Amur tiger and leopards, Brazilian ocelot, Mexican wolves, and golden Lion tamarins. Highlights include our

Tracy Aviary is a non-profit aviary located on eight acres of land in the heart of Salt Lake City. A charitable act by Salt Lake City banker Russell Lord Tracy founded Tracy Aviary when he donated his private bird collection to Salt Lake City and its children. Open to the public since 1938, Tracy Av

The Brenton Arboretum was established by Sue and J.C. (Buz) Brenton and their children because of their love of trees, the importance of trees to our world, and their desire to preserve a beautiful and important natural area. The first trees were planted in the 140-acre Arboretum during the spring o

Museum MORE is het grootste museum voor modern realisme. In het voormalig gemeentehuis in Gorssel zijn werken te zien van toonaangevende modern realistische topkunstenaars, zoals grootmeesters zoals Carel Willink, Pyke Koch, Jan Mankes, Charley Toorop, Wim Schuhmacher en Raoul Hynckes. Naast deze ei
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Andover – U.S. Senator Roger Marshall, M.D. (R-Kansas), Kansas Community Colleges, and the Kansas National Guard will sign a proclamation...
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Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Nederlands Instituut voor Beeld en Geluid is http://www.beeldengeluid.nl.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid’s AI-generated cybersecurity score is 765, reflecting their Fair security posture.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid has not been affected by any supply chain cyber incidents, and no incident IDs are currently listed for the organization.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid is not certified under SOC 2 Type 1.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid is not listed as GDPR compliant.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid does not currently maintain PCI DSS compliance.
According to Rankiteo, Nederlands Instituut voor Beeld en Geluid is not compliant with HIPAA regulations.
According to Rankiteo,Nederlands Instituut voor Beeld en Geluid is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Nederlands Instituut voor Beeld en Geluid operates primarily in the Museums, Historical Sites, and Zoos industry.
Nederlands Instituut voor Beeld en Geluid employs approximately 352 people worldwide.
Nederlands Instituut voor Beeld en Geluid presently has no subsidiaries across any sectors.
Nederlands Instituut voor Beeld en Geluid’s official LinkedIn profile has approximately 15,216 followers.
Nederlands Instituut voor Beeld en Geluid is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, Nederlands Instituut voor Beeld en Geluid does not have a profile on Crunchbase.
Yes, Nederlands Instituut voor Beeld en Geluid maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/beeld-en-geluid.
As of January 23, 2026, Rankiteo reports that Nederlands Instituut voor Beeld en Geluid has not experienced any cybersecurity incidents.
Nederlands Instituut voor Beeld en Geluid has an estimated 2,178 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Nederlands Instituut voor Beeld en Geluid has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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Backstage is an open framework for building developer portals, and @backstage/backend-defaults provides the default implementations and setup for a standard Backstage backend app. Prior to versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0, the `FetchUrlReader` component, used by the catalog and other plugins to fetch content from URLs, followed HTTP redirects automatically. This allowed an attacker who controls a host listed in `backend.reading.allow` to redirect requests to internal or sensitive URLs that are not on the allowlist, bypassing the URL allowlist security control. This is a Server-Side Request Forgery (SSRF) vulnerability that could allow access to internal resources, but it does not allow attackers to include additional request headers. This vulnerability is fixed in `@backstage/backend-defaults` version 0.12.2, 0.13.2, 0.14.1, and 0.15.0. Users should upgrade to this version or later. Some workarounds are available. Restrict `backend.reading.allow` to only trusted hosts that you control and that do not issue redirects, ensure allowed hosts do not have open redirect vulnerabilities, and/or use network-level controls to block access from Backstage to sensitive internal endpoints.
Backstage is an open framework for building developer portals, and @backstage/cli-common provides config loading functionality used by the backend and command line interface of Backstage. Prior to version 0.1.17, the `resolveSafeChildPath` utility function in `@backstage/backend-plugin-api`, which is used to prevent path traversal attacks, failed to properly validate symlink chains and dangling symlinks. An attacker could bypass the path validation via symlink chains (creating `link1 → link2 → /outside` where intermediate symlinks eventually resolve outside the allowed directory) and dangling symlinks (creating symlinks pointing to non-existent paths outside the base directory, which would later be created during file operations). This function is used by Scaffolder actions and other backend components to ensure file operations stay within designated directories. This vulnerability is fixed in `@backstage/backend-plugin-api` version 0.1.17. Users should upgrade to this version or later. Some workarounds are available. Run Backstage in a containerized environment with limited filesystem access and/or restrict template creation to trusted users.
Backstage is an open framework for building developer portals. Multiple Scaffolder actions and archive extraction utilities were vulnerable to symlink-based path traversal attacks. An attacker with access to create and execute Scaffolder templates could exploit symlinks to read arbitrary files via the `debug:log` action by creating a symlink pointing to sensitive files (e.g., `/etc/passwd`, configuration files, secrets); delete arbitrary files via the `fs:delete` action by creating symlinks pointing outside the workspace, and write files outside the workspace via archive extraction (tar/zip) containing malicious symlinks. This affects any Backstage deployment where users can create or execute Scaffolder templates. This vulnerability is fixed in `@backstage/backend-defaults` versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0; `@backstage/plugin-scaffolder-backend` versions 2.2.2, 3.0.2, and 3.1.1; and `@backstage/plugin-scaffolder-node` versions 0.11.2 and 0.12.3. Users should upgrade to these versions or later. Some workarounds are available. Follow the recommendation in the Backstage Threat Model to limit access to creating and updating templates, restrict who can create and execute Scaffolder templates using the permissions framework, audit existing templates for symlink usage, and/or run Backstage in a containerized environment with limited filesystem access.
FastAPI Api Key provides a backend-agnostic library that provides an API key system. Version 1.1.0 has a timing side-channel vulnerability in verify_key(). The method applied a random delay only on verification failures, allowing an attacker to statistically distinguish valid from invalid API keys by measuring response latencies. With enough repeated requests, an adversary could infer whether a key_id corresponds to a valid key, potentially accelerating brute-force or enumeration attacks. All users relying on verify_key() for API key authentication prior to the fix are affected. Users should upgrade to version 1.1.0 to receive a patch. The patch applies a uniform random delay (min_delay to max_delay) to all responses regardless of outcome, eliminating the timing correlation. Some workarounds are available. Add an application-level fixed delay or random jitter to all authentication responses (success and failure) before the fix is applied and/or use rate limiting to reduce the feasibility of statistical timing attacks.
The Flux Operator is a Kubernetes CRD controller that manages the lifecycle of CNCF Flux CD and the ControlPlane enterprise distribution. Starting in version 0.36.0 and prior to version 0.40.0, a privilege escalation vulnerability exists in the Flux Operator Web UI authentication code that allows an attacker to bypass Kubernetes RBAC impersonation and execute API requests with the operator's service account privileges. In order to be vulnerable, cluster admins must configure the Flux Operator with an OIDC provider that issues tokens lacking the expected claims (e.g., `email`, `groups`), or configure custom CEL expressions that can evaluate to empty values. After OIDC token claims are processed through CEL expressions, there is no validation that the resulting `username` and `groups` values are non-empty. When both values are empty, the Kubernetes client-go library does not add impersonation headers to API requests, causing them to be executed with the flux-operator service account's credentials instead of the authenticated user's limited permissions. This can result in privilege escalation, data exposure, and/or information disclosure. Version 0.40.0 patches the issue.

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