Company Details
arktype
5
60
711
arktype.org
0
ARK_2512264
In-progress

ArKtype Company CyberSecurity Posture
arktype.orgArKtype was established in 2006 to support the finest in emerging and established domestic and internationally based artists. We support risk in live performance – creating an ever-shifting mechanism for the fulfillment of artists’ visions for new work, international collaboration, production and touring. The company has grown to encompass renowned artists from twenty different countries, multiple genres and commercial and non-profit support structures for a variety of spaces. Realizing the infrastructural demands of the artist in an environment of limited funding and financial support for creative endeavors, ArKtype aims to balance infrastructural support with creative growth, allowing the artist a long-term relationship with a producing entity based on establishing the artist’s continued presence in the national and international regional theater and arts presenter communities. The company’s past work in the U.S. and abroad includes projects with Brooklyn Academy of Music, Lincoln Center Theater, New York Theatre Workshop, Market Theatre (Johannesburg), Hartford Stage Company, Barbican Centre, Oxford Playhouse, Noorderzon Festival, Performance Space 122 (Fresh Terrain Festival of Performance Theater, Austin, TX), Chicago Shakespeare Theater, Berkeley Rep, Actors Theater of Louisville, Center Theatre Group / Mark Taper Forum, Apollo Theater, NYU/Skirball Center for the Performing Arts, Bouffes du Nord and The Kitchen, among many others. Upcoming premieres include Jessica Black & Erik Jensen’s HOW TO BE A ROCK CRITIC (Spring 2015), Byron Au Yong & Aaron Jafferis’ TRIGGER (Fall 2016), Andrew Ondrejcak’s ELIJAH GREEN and KINGS OF MACEDONIA w/ Shara Worden (2015-16) and Object Collection’s IT’S ALL TRUE based on the live works of seminal punk band Fugazi (2015-16).
Company Details
arktype
5
60
711
arktype.org
0
ARK_2512264
In-progress
Between 750 and 799

ArKtype Global Score (TPRM)XXXX



No incidents recorded for ArKtype in 2025.
No incidents recorded for ArKtype in 2025.
No incidents recorded for ArKtype in 2025.
ArKtype cyber incidents detection timeline including parent company and subsidiaries

ArKtype was established in 2006 to support the finest in emerging and established domestic and internationally based artists. We support risk in live performance – creating an ever-shifting mechanism for the fulfillment of artists’ visions for new work, international collaboration, production and touring. The company has grown to encompass renowned artists from twenty different countries, multiple genres and commercial and non-profit support structures for a variety of spaces. Realizing the infrastructural demands of the artist in an environment of limited funding and financial support for creative endeavors, ArKtype aims to balance infrastructural support with creative growth, allowing the artist a long-term relationship with a producing entity based on establishing the artist’s continued presence in the national and international regional theater and arts presenter communities. The company’s past work in the U.S. and abroad includes projects with Brooklyn Academy of Music, Lincoln Center Theater, New York Theatre Workshop, Market Theatre (Johannesburg), Hartford Stage Company, Barbican Centre, Oxford Playhouse, Noorderzon Festival, Performance Space 122 (Fresh Terrain Festival of Performance Theater, Austin, TX), Chicago Shakespeare Theater, Berkeley Rep, Actors Theater of Louisville, Center Theatre Group / Mark Taper Forum, Apollo Theater, NYU/Skirball Center for the Performing Arts, Bouffes du Nord and The Kitchen, among many others. Upcoming premieres include Jessica Black & Erik Jensen’s HOW TO BE A ROCK CRITIC (Spring 2015), Byron Au Yong & Aaron Jafferis’ TRIGGER (Fall 2016), Andrew Ondrejcak’s ELIJAH GREEN and KINGS OF MACEDONIA w/ Shara Worden (2015-16) and Object Collection’s IT’S ALL TRUE based on the live works of seminal punk band Fugazi (2015-16).


In 2002, we began the Theatre Arts Company and began training students all year round in acting. I often wonder where these students will end up and if their memories of performing on stage will be lasting? The volunteers who have helped over the years have been amazing. Sewing costumes, building pr

Our Mission EPIK exists to provide all people an opportunity to experience the benefits of dance, to foster an appreciation for art amongst society, and to impact audiences by tackling current and thought-provoking subject matter. We accomplish our mission through three pillars of activity: Perfor

Artsreach is a registered charity which aims to enrich and positively impact the lives of people in Dorset by connecting and empowering rural communities through creative and cultural experiences. Artsreach presents a programme of high quality cultural activity, including theatre, music, dance, fam

Queensland's premier arts festival, Brisbane Festival lights up the city each September with extraordinary art, installations, and live performances from home and across the world. #FindYourFit in the 70+ event program https://brisfe.st/home Boldly Brisbane – we reflect the diversity and unique v

As one of the best acting schools in Los Angeles for kids/teens/young adults, we have been committed to developing the young actor's craft for over two decades. Our founder/current artistic director, Jeff Alan-Lee, has taught many of the top young actors including Scarlett Johansson and Shia LaBeouf

We have over 40 years combined experience in providing specialist services to a multitude of performance venues throughout the UK, these include: - Schools, Colleges & Universities - Theatres & Concert Halls - Television & Media Studios - Conference & Exhibition
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Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of ArKtype is http://arktype.org.
According to Rankiteo, ArKtype’s AI-generated cybersecurity score is 759, reflecting their Fair security posture.
According to Rankiteo, ArKtype currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, ArKtype is not certified under SOC 2 Type 1.
According to Rankiteo, ArKtype does not hold a SOC 2 Type 2 certification.
According to Rankiteo, ArKtype is not listed as GDPR compliant.
According to Rankiteo, ArKtype does not currently maintain PCI DSS compliance.
According to Rankiteo, ArKtype is not compliant with HIPAA regulations.
According to Rankiteo,ArKtype is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
ArKtype operates primarily in the Performing Arts industry.
ArKtype employs approximately 5 people worldwide.
ArKtype presently has no subsidiaries across any sectors.
ArKtype’s official LinkedIn profile has approximately 60 followers.
No, ArKtype does not have a profile on Crunchbase.
Yes, ArKtype maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/arktype.
As of December 15, 2025, Rankiteo reports that ArKtype has not experienced any cybersecurity incidents.
ArKtype has an estimated 2,701 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, ArKtype has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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NXLog Agent before 6.11 can load a file specified by the OPENSSL_CONF environment variable.
uriparser through 0.9.9 allows unbounded recursion and stack consumption, as demonstrated by ParseMustBeSegmentNzNc with large input containing many commas.
A vulnerability was detected in Mayan EDMS up to 4.10.1. The affected element is an unknown function of the file /authentication/. The manipulation results in cross site scripting. The attack may be performed from remote. The exploit is now public and may be used. Upgrading to version 4.10.2 is sufficient to fix this issue. You should upgrade the affected component. The vendor confirms that this is "[f]ixed in version 4.10.2". Furthermore, that "[b]ackports for older versions in process and will be out as soon as their respective CI pipelines complete."
MJML through 4.18.0 allows mj-include directory traversal to test file existence and (in the type="css" case) read files. NOTE: this issue exists because of an incomplete fix for CVE-2020-12827.
A half-blind Server Side Request Forgery (SSRF) vulnerability exists in kube-controller-manager when using the in-tree Portworx StorageClass. This vulnerability allows authorized users to leak arbitrary information from unprotected endpoints in the control plane’s host network (including link-local or loopback services).

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