Company Details
umlauf-sculpture-garden-&-museum
23
1,227
712
umlaufsculpture.org
0
UML_2188026
In-progress


UMLAUF Sculpture Garden + Museum Company CyberSecurity Posture
umlaufsculpture.orgThe UMLAUF Sculpture Garden + Museum provides educational experiences that encourage the understanding and appreciation of sculpture, and exhibits the work of Charles Umlauf and other contemporary sculptors in a natural setting. In 1985, Charles and Angeline Umlauf gave their home, studio, and 168 pieces of Umlauf works to the City of Austin. Six years later, in 1991, a new museum was built on adjoining city property with private funds raised under the leadership of Austin arts patron Roberta Crenshaw. In a successful partnership between Austin’s private and public sectors, the Umlauf Sculpture Garden organization funds, manages, and maintains the Museum while the City’s Parks and Recreation Department maintains the xeriscape garden. The full range of Charles Umlauf’s work can be seen in both permanent and changing exhibitions inside the museum as well as outside in the garden. About Charles Umlauf: Charles Julius Umlauf was born to French and German immigrant parents on a farm outside South Haven, Michigan. Umlauf’s fourth grade teacher recognized his talent and helped him earn summer scholarships at the Art Institute of Chicago. Following high school, he studied at the Art Institute and the Chicago School of Sculpture working under master sculptors Lorado Taft and Albin Polasek. In 1937, Umlauf married fellow Art Institute student Angeline “Angie” Allen. In 1941 the couple moved to Austin when Umlauf became a life drawing and sculpture instructor at the University of Texas’s young art department. He taught at UT for 40 years, retiring as Professor Emeritus in 1981. Umlauf won numerous prestigious awards, including a Guggenheim Fellowship and a Ford Foundation Grant. Public collections and museums across the United States own his work, including the Smithsonian Institution in Washington, D.C. and the Metropolitan Museum of Art in New York City. In Texas, there are more Umlauf sculptures in public locations than works by any other single sculptor.
Company Details
umlauf-sculpture-garden-&-museum
23
1,227
712
umlaufsculpture.org
0
UML_2188026
In-progress
Between 750 and 799

USGM Global Score (TPRM)XXXX



No incidents recorded for UMLAUF Sculpture Garden + Museum in 2026.
No incidents recorded for UMLAUF Sculpture Garden + Museum in 2026.
No incidents recorded for UMLAUF Sculpture Garden + Museum in 2026.
USGM cyber incidents detection timeline including parent company and subsidiaries

The UMLAUF Sculpture Garden + Museum provides educational experiences that encourage the understanding and appreciation of sculpture, and exhibits the work of Charles Umlauf and other contemporary sculptors in a natural setting. In 1985, Charles and Angeline Umlauf gave their home, studio, and 168 pieces of Umlauf works to the City of Austin. Six years later, in 1991, a new museum was built on adjoining city property with private funds raised under the leadership of Austin arts patron Roberta Crenshaw. In a successful partnership between Austin’s private and public sectors, the Umlauf Sculpture Garden organization funds, manages, and maintains the Museum while the City’s Parks and Recreation Department maintains the xeriscape garden. The full range of Charles Umlauf’s work can be seen in both permanent and changing exhibitions inside the museum as well as outside in the garden. About Charles Umlauf: Charles Julius Umlauf was born to French and German immigrant parents on a farm outside South Haven, Michigan. Umlauf’s fourth grade teacher recognized his talent and helped him earn summer scholarships at the Art Institute of Chicago. Following high school, he studied at the Art Institute and the Chicago School of Sculpture working under master sculptors Lorado Taft and Albin Polasek. In 1937, Umlauf married fellow Art Institute student Angeline “Angie” Allen. In 1941 the couple moved to Austin when Umlauf became a life drawing and sculpture instructor at the University of Texas’s young art department. He taught at UT for 40 years, retiring as Professor Emeritus in 1981. Umlauf won numerous prestigious awards, including a Guggenheim Fellowship and a Ford Foundation Grant. Public collections and museums across the United States own his work, including the Smithsonian Institution in Washington, D.C. and the Metropolitan Museum of Art in New York City. In Texas, there are more Umlauf sculptures in public locations than works by any other single sculptor.


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The official website of UMLAUF Sculpture Garden + Museum is http://www.umlaufsculpture.org.
According to Rankiteo, UMLAUF Sculpture Garden + Museum’s AI-generated cybersecurity score is 762, reflecting their Fair security posture.
According to Rankiteo, UMLAUF Sculpture Garden + Museum currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, UMLAUF Sculpture Garden + Museum has not been affected by any supply chain cyber incidents, and no incident IDs are currently listed for the organization.
According to Rankiteo, UMLAUF Sculpture Garden + Museum is not certified under SOC 2 Type 1.
According to Rankiteo, UMLAUF Sculpture Garden + Museum does not hold a SOC 2 Type 2 certification.
According to Rankiteo, UMLAUF Sculpture Garden + Museum is not listed as GDPR compliant.
According to Rankiteo, UMLAUF Sculpture Garden + Museum does not currently maintain PCI DSS compliance.
According to Rankiteo, UMLAUF Sculpture Garden + Museum is not compliant with HIPAA regulations.
According to Rankiteo,UMLAUF Sculpture Garden + Museum is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
UMLAUF Sculpture Garden + Museum operates primarily in the Museums, Historical Sites, and Zoos industry.
UMLAUF Sculpture Garden + Museum employs approximately 23 people worldwide.
UMLAUF Sculpture Garden + Museum presently has no subsidiaries across any sectors.
UMLAUF Sculpture Garden + Museum’s official LinkedIn profile has approximately 1,227 followers.
UMLAUF Sculpture Garden + Museum is classified under the NAICS code 712, which corresponds to Museums, Historical Sites, and Similar Institutions.
No, UMLAUF Sculpture Garden + Museum does not have a profile on Crunchbase.
Yes, UMLAUF Sculpture Garden + Museum maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/umlauf-sculpture-garden-&-museum.
As of January 23, 2026, Rankiteo reports that UMLAUF Sculpture Garden + Museum has not experienced any cybersecurity incidents.
UMLAUF Sculpture Garden + Museum has an estimated 2,178 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, UMLAUF Sculpture Garden + Museum has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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Backstage is an open framework for building developer portals, and @backstage/backend-defaults provides the default implementations and setup for a standard Backstage backend app. Prior to versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0, the `FetchUrlReader` component, used by the catalog and other plugins to fetch content from URLs, followed HTTP redirects automatically. This allowed an attacker who controls a host listed in `backend.reading.allow` to redirect requests to internal or sensitive URLs that are not on the allowlist, bypassing the URL allowlist security control. This is a Server-Side Request Forgery (SSRF) vulnerability that could allow access to internal resources, but it does not allow attackers to include additional request headers. This vulnerability is fixed in `@backstage/backend-defaults` version 0.12.2, 0.13.2, 0.14.1, and 0.15.0. Users should upgrade to this version or later. Some workarounds are available. Restrict `backend.reading.allow` to only trusted hosts that you control and that do not issue redirects, ensure allowed hosts do not have open redirect vulnerabilities, and/or use network-level controls to block access from Backstage to sensitive internal endpoints.
Backstage is an open framework for building developer portals, and @backstage/cli-common provides config loading functionality used by the backend and command line interface of Backstage. Prior to version 0.1.17, the `resolveSafeChildPath` utility function in `@backstage/backend-plugin-api`, which is used to prevent path traversal attacks, failed to properly validate symlink chains and dangling symlinks. An attacker could bypass the path validation via symlink chains (creating `link1 → link2 → /outside` where intermediate symlinks eventually resolve outside the allowed directory) and dangling symlinks (creating symlinks pointing to non-existent paths outside the base directory, which would later be created during file operations). This function is used by Scaffolder actions and other backend components to ensure file operations stay within designated directories. This vulnerability is fixed in `@backstage/backend-plugin-api` version 0.1.17. Users should upgrade to this version or later. Some workarounds are available. Run Backstage in a containerized environment with limited filesystem access and/or restrict template creation to trusted users.
Backstage is an open framework for building developer portals. Multiple Scaffolder actions and archive extraction utilities were vulnerable to symlink-based path traversal attacks. An attacker with access to create and execute Scaffolder templates could exploit symlinks to read arbitrary files via the `debug:log` action by creating a symlink pointing to sensitive files (e.g., `/etc/passwd`, configuration files, secrets); delete arbitrary files via the `fs:delete` action by creating symlinks pointing outside the workspace, and write files outside the workspace via archive extraction (tar/zip) containing malicious symlinks. This affects any Backstage deployment where users can create or execute Scaffolder templates. This vulnerability is fixed in `@backstage/backend-defaults` versions 0.12.2, 0.13.2, 0.14.1, and 0.15.0; `@backstage/plugin-scaffolder-backend` versions 2.2.2, 3.0.2, and 3.1.1; and `@backstage/plugin-scaffolder-node` versions 0.11.2 and 0.12.3. Users should upgrade to these versions or later. Some workarounds are available. Follow the recommendation in the Backstage Threat Model to limit access to creating and updating templates, restrict who can create and execute Scaffolder templates using the permissions framework, audit existing templates for symlink usage, and/or run Backstage in a containerized environment with limited filesystem access.
FastAPI Api Key provides a backend-agnostic library that provides an API key system. Version 1.1.0 has a timing side-channel vulnerability in verify_key(). The method applied a random delay only on verification failures, allowing an attacker to statistically distinguish valid from invalid API keys by measuring response latencies. With enough repeated requests, an adversary could infer whether a key_id corresponds to a valid key, potentially accelerating brute-force or enumeration attacks. All users relying on verify_key() for API key authentication prior to the fix are affected. Users should upgrade to version 1.1.0 to receive a patch. The patch applies a uniform random delay (min_delay to max_delay) to all responses regardless of outcome, eliminating the timing correlation. Some workarounds are available. Add an application-level fixed delay or random jitter to all authentication responses (success and failure) before the fix is applied and/or use rate limiting to reduce the feasibility of statistical timing attacks.
The Flux Operator is a Kubernetes CRD controller that manages the lifecycle of CNCF Flux CD and the ControlPlane enterprise distribution. Starting in version 0.36.0 and prior to version 0.40.0, a privilege escalation vulnerability exists in the Flux Operator Web UI authentication code that allows an attacker to bypass Kubernetes RBAC impersonation and execute API requests with the operator's service account privileges. In order to be vulnerable, cluster admins must configure the Flux Operator with an OIDC provider that issues tokens lacking the expected claims (e.g., `email`, `groups`), or configure custom CEL expressions that can evaluate to empty values. After OIDC token claims are processed through CEL expressions, there is no validation that the resulting `username` and `groups` values are non-empty. When both values are empty, the Kubernetes client-go library does not add impersonation headers to API requests, causing them to be executed with the flux-operator service account's credentials instead of the authenticated user's limited permissions. This can result in privilege escalation, data exposure, and/or information disclosure. Version 0.40.0 patches the issue.

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