Company Details
orchestra-of-st--luke's
62
731
711
oslmusic.org
0
ORC_3808789
In-progress

Orchestra of St. Luke's (OSL) Company CyberSecurity Posture
oslmusic.orgCalled “[New York’s} hometown band” by The New York Times, OSL performs at venues throughout the city including Carnegie Hall, Lincoln Center, New York City Center, Merkin Hall, The Morgan Library and Museum, Brooklyn Museum, and many more. OSL is dedicated to cultivating a lifetime of engagement with classical music and offers free instrumental training and mentorship for students from elementary school through conservatory and beyond; produces guided community and educational performances for thousands of students and families; and owns and operates The DiMenna Center for Classical Music, New York City’s only rehearsal, recording, education, and performance facility expressly dedicated to classical music, serving more than 500 ensembles and more than 30,000 musicians each year. OSL has participated in 118 recordings, four of; which have won Grammy Awards; has commissioned more than 50 new works; and has given more than 179 world, US, and New York City premieres. Recent guests and collaborators include cellist Alisa Weilerstein, tenor Jonas Kauffman, composer Gabriela Lena-Frank, violinist Christian Tetzlaff, and pianist Jeremy Denk. As New York Magazine notes, the Orchestra has a “...reputation for being able to play virtually any score as if the musicians had all grown up with it under their pillows.” Learn more at OSLmusic.org or @OSLmusic on Instagram, Facebook, Spotify and more. See behind the scenes of New York City's music-making community at The DiMenna Center for Classical Music @TheDiMennaCenter on Facebook and Instagram
Company Details
orchestra-of-st--luke's
62
731
711
oslmusic.org
0
ORC_3808789
In-progress
Between 750 and 799

OSL Global Score (TPRM)XXXX



No incidents recorded for Orchestra of St. Luke's (OSL) in 2025.
No incidents recorded for Orchestra of St. Luke's (OSL) in 2025.
No incidents recorded for Orchestra of St. Luke's (OSL) in 2025.
OSL cyber incidents detection timeline including parent company and subsidiaries

Called “[New York’s} hometown band” by The New York Times, OSL performs at venues throughout the city including Carnegie Hall, Lincoln Center, New York City Center, Merkin Hall, The Morgan Library and Museum, Brooklyn Museum, and many more. OSL is dedicated to cultivating a lifetime of engagement with classical music and offers free instrumental training and mentorship for students from elementary school through conservatory and beyond; produces guided community and educational performances for thousands of students and families; and owns and operates The DiMenna Center for Classical Music, New York City’s only rehearsal, recording, education, and performance facility expressly dedicated to classical music, serving more than 500 ensembles and more than 30,000 musicians each year. OSL has participated in 118 recordings, four of; which have won Grammy Awards; has commissioned more than 50 new works; and has given more than 179 world, US, and New York City premieres. Recent guests and collaborators include cellist Alisa Weilerstein, tenor Jonas Kauffman, composer Gabriela Lena-Frank, violinist Christian Tetzlaff, and pianist Jeremy Denk. As New York Magazine notes, the Orchestra has a “...reputation for being able to play virtually any score as if the musicians had all grown up with it under their pillows.” Learn more at OSLmusic.org or @OSLmusic on Instagram, Facebook, Spotify and more. See behind the scenes of New York City's music-making community at The DiMenna Center for Classical Music @TheDiMennaCenter on Facebook and Instagram


Steep Theatre Company was founded in 2000 by three actors with little more than a shoestring budget and a desire to work in an open, ensemble atmosphere. Over the years, the company has become a dedicated, close-knit group of thirty-one actors, directors, designers, and writers driven by a shared c

American Theater Company (ATC) was founded in July 1985 as American Blues Theatre, a company dedicated to exploring, nurturing, and developing theater that addressed and affected the real working-class people of Chicago. It is an ensemble of artists committed to producing new and classic American st

Voué à la diffusion, au soutien à la création et à l'accompagnement des musiques actuelles et des arts numériques ; s'adressant à une grande variété de publics, croisant les disciplines et les acteurs, Stereolux est un lieu de découvertes et de vocations, d'innovations et d'échanges, un lieu ouvert

From Ballet to Ballroom… Studio Dans has a dance class for you. Multi-level classes include: classical ballet, jazz, contemporary, musical theater, tap, hip hop, sports dans, Zumba, yoga, and ballroom for all ages. See classes for detailed information. Studio Dans opened its doors in 2006 and

The Festival of Spanish Theatre of London was founded in 2013. Since the beginning, the Festival has been growing and gaining a presence in London, not only among Spanish-speaking communities but also among the locals, All the productions are played in Spanish with English surtitles to guarantee

The Washington Center for the Performing Arts, South Puget Sound's largest performing arts facility, is committed to providing a wide variety of entertainment, cultural, and educational activities for the residents of five counties. Located in the heart of Washington State's capital city, we have be
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New Android spyware, a supplier breach tied to Asus, and a botnet menacing maritime systems. 13.12.2025 ForkLog. The week's key cybersecurity developments.
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Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Orchestra of St. Luke's (OSL) is http://OSLmusic.org.
According to Rankiteo, Orchestra of St. Luke's (OSL)’s AI-generated cybersecurity score is 759, reflecting their Fair security posture.
According to Rankiteo, Orchestra of St. Luke's (OSL) currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Orchestra of St. Luke's (OSL) is not certified under SOC 2 Type 1.
According to Rankiteo, Orchestra of St. Luke's (OSL) does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Orchestra of St. Luke's (OSL) is not listed as GDPR compliant.
According to Rankiteo, Orchestra of St. Luke's (OSL) does not currently maintain PCI DSS compliance.
According to Rankiteo, Orchestra of St. Luke's (OSL) is not compliant with HIPAA regulations.
According to Rankiteo,Orchestra of St. Luke's (OSL) is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Orchestra of St. Luke's (OSL) operates primarily in the Performing Arts industry.
Orchestra of St. Luke's (OSL) employs approximately 62 people worldwide.
Orchestra of St. Luke's (OSL) presently has no subsidiaries across any sectors.
Orchestra of St. Luke's (OSL)’s official LinkedIn profile has approximately 731 followers.
No, Orchestra of St. Luke's (OSL) does not have a profile on Crunchbase.
Yes, Orchestra of St. Luke's (OSL) maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/orchestra-of-st--luke's.
As of December 13, 2025, Rankiteo reports that Orchestra of St. Luke's (OSL) has not experienced any cybersecurity incidents.
Orchestra of St. Luke's (OSL) has an estimated 2,699 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Orchestra of St. Luke's (OSL) has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, there is no handler for JSON parsing errors; SyntaxError from express.json() includes user input in the error message, which gets reflected in responses. User input (including HTML/JavaScript) can be exposed in error responses, creating an XSS risk if Content-Type isn't strictly enforced. This issue does not have a fix at the time of publication.
LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when creating prompts, JSON requests are sent to define and modify the prompts via PATCH endpoint for prompt groups (/api/prompts/groups/:groupId). However, the request bodies are not sufficiently validated for proper input, enabling users to modify prompts in a way that was not intended as part of the front end system. The patchPromptGroup function passes req.body directly to updatePromptGroup() without filtering sensitive fields. This issue is fixed in version 0.8.1.
LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when a user posts a question, the iconURL parameter of the POST request can be modified by an attacker. The malicious code is then stored in the chat which can then be shared to other users. When sharing chats with a potentially malicious “tracker”, resources loaded can lead to loss of privacy for users who view the chat link that is sent to them. This issue is fixed in version 0.8.1.
MaxKB is an open-source AI assistant for enterprise. Versions 2.3.1 and below have improper file permissions which allow attackers to overwrite the built-in dynamic linker and other critical files, potentially resulting in privilege escalation. This issue is fixed in version 2.4.0.
MaxKB is an open-source AI assistant for enterprise. In versions 2.3.1 and below, the tool module allows an attacker to escape the sandbox environment and escalate privileges under certain concurrent conditions. This issue is fixed in version 2.4.0.

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