Comparison Overview

Mexic-Arte Museum

VS

The Print Center, Philadelphia

Mexic-Arte Museum

419 Congress Ave, Austin, TX, 78701, US
Last Update: 2025-12-03

MISSION STATEMENT The Mexic‐Arte Museum is dedicated to enriching the community through education programs, exhibitions, and the collection, preservation, and interpretation of Mexican, Latino, and Latin American art and culture for visitors of all ages. HISTORY Mexic-Arte Museum was founded in 1984 by artists Sylvia Orozco, Sam Coronado, and Pio Pulido in the Arts Warehouse space, to share the art and culture of Mexico with communities in Texas. Starting with the Day of the Dead festival in the fall of 1983, the Museum began offering outstanding cultural programs and obtained its non-profit status during the 1984 season. Since then, it has continued to present multimedia works by the finest established and emerging artists from the United States, Mexico and Latin America. To expand its programs and exhibits, Mexic-Arte Museum moved into its current home at 419 Congress Avenue in 1988. This ideal location placed the Museum in the heart of Austin’s vibrant downtown - Central Texas’ epicenter of commerce, culture, arts and tourism. A total of 75,000 visitors, ranging from enthusiastic children to art connoisseurs, tour the Museum each year.

NAICS: 712
NAICS Definition:
Employees: 47
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

The Print Center, Philadelphia

1614 Latimer St, Philadelphia, 19103, US
Last Update: 2025-12-01
Between 750 and 799

The Print Center encourages the growth and understanding of photography and printmaking as vital contemporary arts through exhibitions, publications and educational programs. Founded in 1915 as one of the first venues in this country dedicated to the appreciation of prints, The Print Club supported the "dissemination, study, production, and collection of works by printmakers, American and foreign."​ In 1942, The Print Club donated its collection of prints to the Philadelphia Museum of Art forming the core of their fledgling print department. Exhibitions have featured the work of Mary Cassatt, Pablo Picasso, Dox Thrash, Jasper Johns, Ansel Adams, Art Spiegelman, and more recently Kara Walker, Jerry Uelsmann, John Coplans, Kerry James Marshall, Nancy Spero and Leon Golub, Ann Hamilton, Vera Lutter, Abelardo Morell and Doug and Mike Starn. EXHIBITIONS: The Print Center holds solo and group exhibitions highlighting gifted new artists, acknowledging long-term commitment to printmaking and photography, or identifying relevant trends in those fields. Each year, The Print Center mounts nine to ten solo exhibitions and two to three group shows in The Print Center’s galleries, in non-gallery public locations, and in traveling exhibitions. EDUCATION PROGRAMS: The Print Center Series provides ongoing educational programs that provide an opportunity for the whole community to explore topical ideas, current discourse, approaches to collecting and changing technologies, processes and materials during discussion groups, lectures, panels and workshops. The Artists-in-Schools Program is our award winning program of educational community outreach that brings visual art education to students in underserved, disadvantaged Philadelphia Public Schools. 100 Years in 2015

NAICS: 712
NAICS Definition: Museums, Historical Sites, and Similar Institutions
Employees: 13
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Compliance Badges Comparison

Security & Compliance Standards Overview

https://images.rankiteo.com/companyimages/mexic-arte-museum.jpeg
Mexic-Arte Museum
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
https://images.rankiteo.com/companyimages/the-print-center-philadelphia.jpeg
The Print Center, Philadelphia
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
Compliance Summary
Mexic-Arte Museum
100%
Compliance Rate
0/4 Standards Verified
The Print Center, Philadelphia
0%
Compliance Rate
0/4 Standards Verified

Benchmark & Cyber Underwriting Signals

Incidents vs Museums, Historical Sites, and Zoos Industry Average (This Year)

No incidents recorded for Mexic-Arte Museum in 2025.

Incidents vs Museums, Historical Sites, and Zoos Industry Average (This Year)

No incidents recorded for The Print Center, Philadelphia in 2025.

Incident History — Mexic-Arte Museum (X = Date, Y = Severity)

Mexic-Arte Museum cyber incidents detection timeline including parent company and subsidiaries

Incident History — The Print Center, Philadelphia (X = Date, Y = Severity)

The Print Center, Philadelphia cyber incidents detection timeline including parent company and subsidiaries

Notable Incidents

Last 3 Security & Risk Events by Company

https://images.rankiteo.com/companyimages/mexic-arte-museum.jpeg
Mexic-Arte Museum
Incidents

No Incident

https://images.rankiteo.com/companyimages/the-print-center-philadelphia.jpeg
The Print Center, Philadelphia
Incidents

No Incident

FAQ

Both Mexic-Arte Museum company and The Print Center, Philadelphia company demonstrate a comparable AI Cybersecurity Score, with strong governance and monitoring frameworks in place.

Historically, The Print Center, Philadelphia company has disclosed a higher number of cyber incidents compared to Mexic-Arte Museum company.

In the current year, The Print Center, Philadelphia company and Mexic-Arte Museum company have not reported any cyber incidents.

Neither The Print Center, Philadelphia company nor Mexic-Arte Museum company has reported experiencing a ransomware attack publicly.

Neither The Print Center, Philadelphia company nor Mexic-Arte Museum company has reported experiencing a data breach publicly.

Neither The Print Center, Philadelphia company nor Mexic-Arte Museum company has reported experiencing targeted cyberattacks publicly.

Neither Mexic-Arte Museum company nor The Print Center, Philadelphia company has reported experiencing or disclosing vulnerabilities publicly.

Neither Mexic-Arte Museum nor The Print Center, Philadelphia holds any compliance certifications.

Neither company holds any compliance certifications.

Neither Mexic-Arte Museum company nor The Print Center, Philadelphia company has publicly disclosed detailed information about the number of their subsidiaries.

Mexic-Arte Museum company employs more people globally than The Print Center, Philadelphia company, reflecting its scale as a Museums, Historical Sites, and Zoos.

Neither Mexic-Arte Museum nor The Print Center, Philadelphia holds SOC 2 Type 1 certification.

Neither Mexic-Arte Museum nor The Print Center, Philadelphia holds SOC 2 Type 2 certification.

Neither Mexic-Arte Museum nor The Print Center, Philadelphia holds ISO 27001 certification.

Neither Mexic-Arte Museum nor The Print Center, Philadelphia holds PCI DSS certification.

Neither Mexic-Arte Museum nor The Print Center, Philadelphia holds HIPAA certification.

Neither Mexic-Arte Museum nor The Print Center, Philadelphia holds GDPR certification.

Latest Global CVEs (Not Company-Specific)

Description

vLLM is an inference and serving engine for large language models (LLMs). Prior to 0.11.1, vllm has a critical remote code execution vector in a config class named Nemotron_Nano_VL_Config. When vllm loads a model config that contains an auto_map entry, the config class resolves that mapping with get_class_from_dynamic_module(...) and immediately instantiates the returned class. This fetches and executes Python from the remote repository referenced in the auto_map string. Crucially, this happens even when the caller explicitly sets trust_remote_code=False in vllm.transformers_utils.config.get_config. In practice, an attacker can publish a benign-looking frontend repo whose config.json points via auto_map to a separate malicious backend repo; loading the frontend will silently run the backend’s code on the victim host. This vulnerability is fixed in 0.11.1.

Risk Information
cvss3
Base: 7.1
Severity: HIGH
CVSS:3.1/AV:N/AC:H/PR:L/UI:R/S:U/C:H/I:H/A:H
Description

fastify-reply-from is a Fastify plugin to forward the current HTTP request to another server. Prior to 12.5.0, by crafting a malicious URL, an attacker could access routes that are not allowed, even though the reply.from is defined for specific routes in @fastify/reply-from. This vulnerability is fixed in 12.5.0.

Risk Information
cvss4
Base: 6.9
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:N/VC:L/VI:L/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

Angular is a development platform for building mobile and desktop web applications using TypeScript/JavaScript and other languages. Prior to 21.0.2, 20.3.15, and 19.2.17, A Stored Cross-Site Scripting (XSS) vulnerability has been identified in the Angular Template Compiler. It occurs because the compiler's internal security schema is incomplete, allowing attackers to bypass Angular's built-in security sanitization. Specifically, the schema fails to classify certain URL-holding attributes (e.g., those that could contain javascript: URLs) as requiring strict URL security, enabling the injection of malicious scripts. This vulnerability is fixed in 21.0.2, 20.3.15, and 19.2.17.

Risk Information
cvss4
Base: 8.5
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:L/UI:A/VC:H/VI:H/VA:H/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

Gin-vue-admin is a backstage management system based on vue and gin. In 2.8.6 and earlier, attackers can delete any file on the server at will, causing damage or unavailability of server resources. Attackers can control the 'FileMd5' parameter to delete any file and folder.

Risk Information
cvss4
Base: 8.7
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:N/VC:N/VI:H/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

Portkey.ai Gateway is a blazing fast AI Gateway with integrated guardrails. Prior to 1.14.0, the gateway determined the destination baseURL by prioritizing the value in the x-portkey-custom-host request header. The proxy route then appends the client-specified path to perform an external fetch. This can be maliciously used by users for SSRF attacks. This vulnerability is fixed in 1.14.0.

Risk Information
cvss4
Base: 6.9
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:N/VC:N/VI:N/VA:N/SC:L/SI:L/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X