Company Details
eugene-o'neill-theater-center
67
3,646
711
theoneill.org
0
EUG_1231194
In-progress

Eugene O'Neill Theater Center Company CyberSecurity Posture
theoneill.orgFounded in 1964 by George C. White and named in honor of America's only Nobel Prize-winning playwright, The O'Neill is home to six distinct programs: the O'Neill Playwrights Conference, Music Theater Conference, Puppetry Conference, National Theater Institute, Critics Institute and the Monte Cristo Cottage, O'Neill's childhood home located in neighboring New London. At The O'Neill, writers and directors, puppeteers and singers, students and audiences alike take their first steps in exploring, revising and understanding their work and the potential of the theater they help create. The work of The O'Neill focuses on the script as it begins its journey to the stage. The actors work with minimal props and no sets or costumes, holding scripts in their hands, revealing for the first time the magic of a new play or musical, puppetry piece or cabaret act. Work first performed at The O'Neill has gone on to regional theaters, Broadway, movies and television. Students and professionals who have honed their skills at The O'Neill can be seen in these venues every day across the country. Others work behind the scenes as playwrights, directors, in stage management, publicity and a hundred other roles that the public never sees but are nonetheless essential to every production. Staff and alumni from The O'Neill have won every major award in theater arts. The O'Neill itself is the winner of a special Tony Award, the National Opera Award, the Jujamcyn Award of Theater Excellence and the Arts and Business Council Encore Award. The seven hundred plays and musicals developed and premiered at The O'Neill include such notable works as John Guare's THE HOUSE OF BLUE LEAVES, Brian Crawley and Jeanine Tesori's VIOLET, Wendy Wasserstein's UNCOMMON WOMEN AND OTHERS, August Wilson's MA RAINEY'S BLACK BOTTOM, FENCES and THE PIANO LESSON, Lee Blessing's A WALK IN THE WOODS, NINE by Arthur Kopit, Mario Fratti and Maury Yeston, AVENUE Q, IN THE HEIGHTS, and STORY OF MY LIFE.
Company Details
eugene-o'neill-theater-center
67
3,646
711
theoneill.org
0
EUG_1231194
In-progress
Between 750 and 799

EOTC Global Score (TPRM)XXXX



No incidents recorded for Eugene O'Neill Theater Center in 2025.
No incidents recorded for Eugene O'Neill Theater Center in 2025.
No incidents recorded for Eugene O'Neill Theater Center in 2025.
EOTC cyber incidents detection timeline including parent company and subsidiaries

Founded in 1964 by George C. White and named in honor of America's only Nobel Prize-winning playwright, The O'Neill is home to six distinct programs: the O'Neill Playwrights Conference, Music Theater Conference, Puppetry Conference, National Theater Institute, Critics Institute and the Monte Cristo Cottage, O'Neill's childhood home located in neighboring New London. At The O'Neill, writers and directors, puppeteers and singers, students and audiences alike take their first steps in exploring, revising and understanding their work and the potential of the theater they help create. The work of The O'Neill focuses on the script as it begins its journey to the stage. The actors work with minimal props and no sets or costumes, holding scripts in their hands, revealing for the first time the magic of a new play or musical, puppetry piece or cabaret act. Work first performed at The O'Neill has gone on to regional theaters, Broadway, movies and television. Students and professionals who have honed their skills at The O'Neill can be seen in these venues every day across the country. Others work behind the scenes as playwrights, directors, in stage management, publicity and a hundred other roles that the public never sees but are nonetheless essential to every production. Staff and alumni from The O'Neill have won every major award in theater arts. The O'Neill itself is the winner of a special Tony Award, the National Opera Award, the Jujamcyn Award of Theater Excellence and the Arts and Business Council Encore Award. The seven hundred plays and musicals developed and premiered at The O'Neill include such notable works as John Guare's THE HOUSE OF BLUE LEAVES, Brian Crawley and Jeanine Tesori's VIOLET, Wendy Wasserstein's UNCOMMON WOMEN AND OTHERS, August Wilson's MA RAINEY'S BLACK BOTTOM, FENCES and THE PIANO LESSON, Lee Blessing's A WALK IN THE WOODS, NINE by Arthur Kopit, Mario Fratti and Maury Yeston, AVENUE Q, IN THE HEIGHTS, and STORY OF MY LIFE.


Moksha Arts provides a platform for individuals to develop and advance their creative minds. Through various art forms, we encourage individual's unique expressions and drive for artistic intelligence. India is the home of various ancient classical dance forms - Kathak, Odissi, Manipuri, Kathakal

Notre association est à la base un groupe d'amis passionnés par le COSPLAY, la culture GEEK et OTAKU (asiatique). Nous participons à des évents et des concours depuis des années, et avons décidé de nous regrouper en association pour pouvoir pratiquer le cosplay plus facilement, en dehors des gran

Culture Project is dedicated to addressing critical human rights issues by shining an artistic spotlight on injustice. By fostering innovative collaboration between human rights organizations and artists, they aim to inspire and impact public dialogue, encouraging democratic participation in the mos
One of the leading regional theaters in the country, Dallas Theater Center (DTC) performs to an audience of more than 90,000 North Texas residents annually. DTC is a resident company of the AT&T Performing Arts Center and presents its mainstage season at the Dee and Charles Wyly Theatre. DTC also pr

The Orlando Philharmonic Orchestra is Central Florida's resident professional orchestra, serving the community by presenting symphonic music, musicals, chamber music, educational outreach, exciting pops concerts and unique collaborations with various arts and civic organizations in the region. By o

Founded in 1940, the Utah Symphony has become an eminent presence in the American music scene through its distinctive performances worldwide and its well-known recording legacy. The orchestra became recognized as a leading ensemble largely through the efforts of Maurice Abravanel, its Music Director
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Carole D'Agostino is a versatile puppeteer and fabricator with experience in film, television, theater, and voice-overs.
The veteran actor on losing an Asian role to Meryl Streep, being bullied by directors and receiving the freest role in her career.
For over five decades the the Eugene O'Neill Theater Center has been a force in developing new works and theater artists.
Patty Freedman, co-owner of the Andrew E. Freedman Public Relations firm and a former actress under her birth name Patty Dworkin, has died.

Explore insights on cybersecurity incidents, risk posture, and Rankiteo's assessments.
The official website of Eugene O'Neill Theater Center is http://www.theoneill.org.
According to Rankiteo, Eugene O'Neill Theater Center’s AI-generated cybersecurity score is 758, reflecting their Fair security posture.
According to Rankiteo, Eugene O'Neill Theater Center currently holds 0 security badges, indicating that no recognized compliance certifications are currently verified for the organization.
According to Rankiteo, Eugene O'Neill Theater Center is not certified under SOC 2 Type 1.
According to Rankiteo, Eugene O'Neill Theater Center does not hold a SOC 2 Type 2 certification.
According to Rankiteo, Eugene O'Neill Theater Center is not listed as GDPR compliant.
According to Rankiteo, Eugene O'Neill Theater Center does not currently maintain PCI DSS compliance.
According to Rankiteo, Eugene O'Neill Theater Center is not compliant with HIPAA regulations.
According to Rankiteo,Eugene O'Neill Theater Center is not certified under ISO 27001, indicating the absence of a formally recognized information security management framework.
Eugene O'Neill Theater Center operates primarily in the Performing Arts industry.
Eugene O'Neill Theater Center employs approximately 67 people worldwide.
Eugene O'Neill Theater Center presently has no subsidiaries across any sectors.
Eugene O'Neill Theater Center’s official LinkedIn profile has approximately 3,646 followers.
No, Eugene O'Neill Theater Center does not have a profile on Crunchbase.
Yes, Eugene O'Neill Theater Center maintains an official LinkedIn profile, which is actively utilized for branding and talent engagement, which can be accessed here: https://www.linkedin.com/company/eugene-o'neill-theater-center.
As of December 15, 2025, Rankiteo reports that Eugene O'Neill Theater Center has not experienced any cybersecurity incidents.
Eugene O'Neill Theater Center has an estimated 2,701 peer or competitor companies worldwide.
Total Incidents: According to Rankiteo, Eugene O'Neill Theater Center has faced 0 incidents in the past.
Incident Types: The types of cybersecurity incidents that have occurred include .
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NXLog Agent before 6.11 can load a file specified by the OPENSSL_CONF environment variable.
uriparser through 0.9.9 allows unbounded recursion and stack consumption, as demonstrated by ParseMustBeSegmentNzNc with large input containing many commas.
A vulnerability was detected in Mayan EDMS up to 4.10.1. The affected element is an unknown function of the file /authentication/. The manipulation results in cross site scripting. The attack may be performed from remote. The exploit is now public and may be used. Upgrading to version 4.10.2 is sufficient to fix this issue. You should upgrade the affected component. The vendor confirms that this is "[f]ixed in version 4.10.2". Furthermore, that "[b]ackports for older versions in process and will be out as soon as their respective CI pipelines complete."
MJML through 4.18.0 allows mj-include directory traversal to test file existence and (in the type="css" case) read files. NOTE: this issue exists because of an incomplete fix for CVE-2020-12827.
A half-blind Server Side Request Forgery (SSRF) vulnerability exists in kube-controller-manager when using the in-tree Portworx StorageClass. This vulnerability allows authorized users to leak arbitrary information from unprotected endpoints in the control plane’s host network (including link-local or loopback services).

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