Comparison Overview

Ballet Petite

VS

Theatre of the Beat

Ballet Petite

6645 Old Dominion Drive, McLean, VA, 22101, US
Last Update: 2025-12-13
Between 750 and 799

Ballet Petite is the first premiere dance education program exclusively for the young child. The specialized curriculum was developed by Nancy Parenti in 1992. Along with the technical leveling of each class, she developed the “storydance”. Each day is a magical door opening to an enchanted realm where stories are enacted and the wonders of all of the arts shine in the light of imagination. Ballet Petite is an intermediate step between natural movement and formal classical ballet training. The children learn to move from creative movement to pre-primary ballet. The educational value is to introduce dance, artistically, to young children. The artistry of Ballet Petite speaks to the heart of children. We teach ballet, hip hop, musical theater, tap and pointe to children 18 months through 14 years in the DC, MD and VA areas. We incorporate dance choreography, classical children’s literature, music compositions and beautiful costumes. Our programs include classes in Ballet, Musical Theatre, Hip Hop, Tap and Pointe, camps for Half-Days (Morning or Afternoon) or Full-Days, Petite Parties and after-school Enrichments.

NAICS: 7111
NAICS Definition: Performing Arts Companies
Employees: 19
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Theatre of the Beat

2174 Danforth Ave, Toronto, Ontario, M4C 1K3, CA
Last Update: 2025-12-11

Theatre of the Beat (TOTB) is a Canadian touring theatre company working to catalyze conversations on social justice and its intersection with the beliefs of the communities in which we find ourselves. Since 2011, Theatre of the Beat has been staging change across North America (and recently The Netherlands) by creating original social justice theatre and workshops for underrepresented populations. Through an immersive cultural exchange of grassroots theatre, hospitality, and philosophy, the company empowers its audience to work towards a just future. We create and perform original theatre across Canada (and USA), host talk backs, spark discussions, and teach workshops. Founded by Johnny Wideman in 2011, Theatre of the Beat first hit the stage when it produced Rebecca Steiner's Gadfly: Sam Steiner Dodges the Draft in partnership with Conrad Grebel University College. Since that premiere, Theatre of the Beat has written, produced and toured over 10 different plays, created and facilitated multiple workshops around the themes of restorative justice, consent and social change. We have also gone on to partner with NGOs and Community Groups across Canada, all while employing a five person staff. Theatre of the Beat has performed over 350 shows, to over 30,000 people in theatres, festivals, churches, universities, and prisons throughout (almost) every Canadian province (we are still waiting on you Newfoundland!), The United States and The Netherlands.

NAICS: 711
NAICS Definition:
Employees: 9
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Compliance Badges Comparison

Security & Compliance Standards Overview

https://images.rankiteo.com/companyimages/ballet-petite-and-youth-performing-arts-school.jpeg
Ballet Petite
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
https://images.rankiteo.com/companyimages/theatre-of-the-beat.jpeg
Theatre of the Beat
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
Compliance Summary
Ballet Petite
100%
Compliance Rate
0/4 Standards Verified
Theatre of the Beat
0%
Compliance Rate
0/4 Standards Verified

Benchmark & Cyber Underwriting Signals

Incidents vs Performing Arts Industry Average (This Year)

No incidents recorded for Ballet Petite in 2025.

Incidents vs Performing Arts Industry Average (This Year)

No incidents recorded for Theatre of the Beat in 2025.

Incident History — Ballet Petite (X = Date, Y = Severity)

Ballet Petite cyber incidents detection timeline including parent company and subsidiaries

Incident History — Theatre of the Beat (X = Date, Y = Severity)

Theatre of the Beat cyber incidents detection timeline including parent company and subsidiaries

Notable Incidents

Last 3 Security & Risk Events by Company

https://images.rankiteo.com/companyimages/ballet-petite-and-youth-performing-arts-school.jpeg
Ballet Petite
Incidents

No Incident

https://images.rankiteo.com/companyimages/theatre-of-the-beat.jpeg
Theatre of the Beat
Incidents

No Incident

FAQ

Both Ballet Petite company and Theatre of the Beat company demonstrate a comparable AI Cybersecurity Score, with strong governance and monitoring frameworks in place.

Historically, Theatre of the Beat company has disclosed a higher number of cyber incidents compared to Ballet Petite company.

In the current year, Theatre of the Beat company and Ballet Petite company have not reported any cyber incidents.

Neither Theatre of the Beat company nor Ballet Petite company has reported experiencing a ransomware attack publicly.

Neither Theatre of the Beat company nor Ballet Petite company has reported experiencing a data breach publicly.

Neither Theatre of the Beat company nor Ballet Petite company has reported experiencing targeted cyberattacks publicly.

Neither Ballet Petite company nor Theatre of the Beat company has reported experiencing or disclosing vulnerabilities publicly.

Neither Ballet Petite nor Theatre of the Beat holds any compliance certifications.

Neither company holds any compliance certifications.

Neither Ballet Petite company nor Theatre of the Beat company has publicly disclosed detailed information about the number of their subsidiaries.

Ballet Petite company employs more people globally than Theatre of the Beat company, reflecting its scale as a Performing Arts.

Neither Ballet Petite nor Theatre of the Beat holds SOC 2 Type 1 certification.

Neither Ballet Petite nor Theatre of the Beat holds SOC 2 Type 2 certification.

Neither Ballet Petite nor Theatre of the Beat holds ISO 27001 certification.

Neither Ballet Petite nor Theatre of the Beat holds PCI DSS certification.

Neither Ballet Petite nor Theatre of the Beat holds HIPAA certification.

Neither Ballet Petite nor Theatre of the Beat holds GDPR certification.

Latest Global CVEs (Not Company-Specific)

Description

LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, there is no handler for JSON parsing errors; SyntaxError from express.json() includes user input in the error message, which gets reflected in responses. User input (including HTML/JavaScript) can be exposed in error responses, creating an XSS risk if Content-Type isn't strictly enforced. This issue does not have a fix at the time of publication.

Risk Information
cvss4
Base: 5.3
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:P/VC:L/VI:L/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when creating prompts, JSON requests are sent to define and modify the prompts via PATCH endpoint for prompt groups (/api/prompts/groups/:groupId). However, the request bodies are not sufficiently validated for proper input, enabling users to modify prompts in a way that was not intended as part of the front end system. The patchPromptGroup function passes req.body directly to updatePromptGroup() without filtering sensitive fields. This issue is fixed in version 0.8.1.

Risk Information
cvss4
Base: 5.3
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:P/VC:L/VI:L/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when a user posts a question, the iconURL parameter of the POST request can be modified by an attacker. The malicious code is then stored in the chat which can then be shared to other users. When sharing chats with a potentially malicious “tracker”, resources loaded can lead to loss of privacy for users who view the chat link that is sent to them. This issue is fixed in version 0.8.1.

Risk Information
cvss4
Base: 8.6
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:P/VC:H/VI:H/VA:N/SC:L/SI:L/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

MaxKB is an open-source AI assistant for enterprise. Versions 2.3.1 and below have improper file permissions which allow attackers to overwrite the built-in dynamic linker and other critical files, potentially resulting in privilege escalation. This issue is fixed in version 2.4.0.

Risk Information
cvss3
Base: 8.8
Severity: LOW
CVSS:3.1/AV:N/AC:L/PR:L/UI:N/S:U/C:H/I:H/A:H
Description

MaxKB is an open-source AI assistant for enterprise. In versions 2.3.1 and below, the tool module allows an attacker to escape the sandbox environment and escalate privileges under certain concurrent conditions. This issue is fixed in version 2.4.0.

Risk Information
cvss3
Base: 8.8
Severity: LOW
CVSS:3.1/AV:N/AC:L/PR:L/UI:N/S:U/C:H/I:H/A:H