Comparison Overview

Ars Minerva

VS

The Washington Center for the Performing Arts

Ars Minerva

Cesar Chavez, San Francisco, CA, 94131, US
Last Update: 2025-12-09
Between 750 and 799

BRING BACK MUSIC TO LIFE ARS MINERVA is a San Francisco based non-profit performing arts organization created in 2013 by Céline Ricci. Its mission is to introduce new ways to engage audiences by pioneering innovative solutions to bring new and younger audiences to the world of classical music. Since its inception, Ars Minerva has already re-created two long-forgotten Venetian operas as Modern World Premieres in San Francisco. ​ In March 2015 Ars Minerva re-created La Cleopatra, composed by Daniele da Castrovillari, which was originally featured at the 1662 Venice Carnival season and never played since. ​ In May 2016, in its second year of operation, Ars Minerva re-created The Amazons in the Fortunate Isles composed in 1679 by Carlo Pallavicino.

NAICS: 7111
NAICS Definition: Performing Arts Companies
Employees: 4
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

The Washington Center for the Performing Arts

512 Washington St SE, Olympia, Washington, 98501, US
Last Update: 2025-12-09

The Washington Center for the Performing Arts, South Puget Sound's largest performing arts facility, is committed to providing a wide variety of entertainment, cultural, and educational activities for the residents of five counties. Located in the heart of Washington State's capital city, we have become a community gathering place, providing a focus for the performing arts unique to the region. We present our own season of national and international touring artists from a broad spectrum of genres and styles. We also provide the support services needed by the many local artistic partners, who call the Washington Center home. Our multi-purpose facility contains a 1,000-seat proscenium theater with four seating levels and adjacent lobby spaces, as well as a smaller Stage II Black Box theater with its own lobby. The stages and lobby areas are available for rent - not only for regional performing arts groups and touring artists, but also for workshops, seminars, receptions, parties, video shoots… just about anything you could think of. Opened in 1985, our facility has played host to thousands of events, with over 2,800,000 people having crossed our threshold. The Center is really the grandchild of the old Liberty Theater, a 1924 vaudeville house which stood on the same ground the Washington Center does today. The Liberty Theater was renovated and refurbished in 1948, becoming the Olympic Theater movie house. The Olympic was then taken down to just a few exterior walls in the early 1980s and completely rebuilt as the Washington Center. While the building's facade still retains elements of the 1924 architecture, the interior is contemporary and modern. The Center's building is owned by the City of Olympia, and the Washington Center for the Performing Arts is a private, not-for-profit organization with a long-term contract to operate the Center. We are a real success story in public/private partnerships, with each party bringing its strengths to the table.

NAICS: 711
NAICS Definition:
Employees: 15
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Compliance Badges Comparison

Security & Compliance Standards Overview

https://images.rankiteo.com/companyimages/ars-minerva.jpeg
Ars Minerva
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
https://images.rankiteo.com/companyimages/washington-center-for-the-performing-arts.jpeg
The Washington Center for the Performing Arts
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
Compliance Summary
Ars Minerva
100%
Compliance Rate
0/4 Standards Verified
The Washington Center for the Performing Arts
0%
Compliance Rate
0/4 Standards Verified

Benchmark & Cyber Underwriting Signals

Incidents vs Performing Arts Industry Average (This Year)

No incidents recorded for Ars Minerva in 2025.

Incidents vs Performing Arts Industry Average (This Year)

No incidents recorded for The Washington Center for the Performing Arts in 2025.

Incident History — Ars Minerva (X = Date, Y = Severity)

Ars Minerva cyber incidents detection timeline including parent company and subsidiaries

Incident History — The Washington Center for the Performing Arts (X = Date, Y = Severity)

The Washington Center for the Performing Arts cyber incidents detection timeline including parent company and subsidiaries

Notable Incidents

Last 3 Security & Risk Events by Company

https://images.rankiteo.com/companyimages/ars-minerva.jpeg
Ars Minerva
Incidents

No Incident

https://images.rankiteo.com/companyimages/washington-center-for-the-performing-arts.jpeg
The Washington Center for the Performing Arts
Incidents

No Incident

FAQ

Ars Minerva company demonstrates a stronger AI Cybersecurity Score compared to The Washington Center for the Performing Arts company, reflecting its advanced cybersecurity posture governance and monitoring frameworks.

Historically, The Washington Center for the Performing Arts company has disclosed a higher number of cyber incidents compared to Ars Minerva company.

In the current year, The Washington Center for the Performing Arts company and Ars Minerva company have not reported any cyber incidents.

Neither The Washington Center for the Performing Arts company nor Ars Minerva company has reported experiencing a ransomware attack publicly.

Neither The Washington Center for the Performing Arts company nor Ars Minerva company has reported experiencing a data breach publicly.

Neither The Washington Center for the Performing Arts company nor Ars Minerva company has reported experiencing targeted cyberattacks publicly.

Neither Ars Minerva company nor The Washington Center for the Performing Arts company has reported experiencing or disclosing vulnerabilities publicly.

Neither Ars Minerva nor The Washington Center for the Performing Arts holds any compliance certifications.

Neither company holds any compliance certifications.

Neither Ars Minerva company nor The Washington Center for the Performing Arts company has publicly disclosed detailed information about the number of their subsidiaries.

The Washington Center for the Performing Arts company employs more people globally than Ars Minerva company, reflecting its scale as a Performing Arts.

Neither Ars Minerva nor The Washington Center for the Performing Arts holds SOC 2 Type 1 certification.

Neither Ars Minerva nor The Washington Center for the Performing Arts holds SOC 2 Type 2 certification.

Neither Ars Minerva nor The Washington Center for the Performing Arts holds ISO 27001 certification.

Neither Ars Minerva nor The Washington Center for the Performing Arts holds PCI DSS certification.

Neither Ars Minerva nor The Washington Center for the Performing Arts holds HIPAA certification.

Neither Ars Minerva nor The Washington Center for the Performing Arts holds GDPR certification.

Latest Global CVEs (Not Company-Specific)

Description

NXLog Agent before 6.11 can load a file specified by the OPENSSL_CONF environment variable.

Risk Information
cvss3
Base: 8.1
Severity: HIGH
CVSS:3.1/AV:L/AC:H/PR:N/UI:N/S:C/C:H/I:H/A:H
Description

uriparser through 0.9.9 allows unbounded recursion and stack consumption, as demonstrated by ParseMustBeSegmentNzNc with large input containing many commas.

Risk Information
cvss3
Base: 2.9
Severity: HIGH
CVSS:3.1/AV:L/AC:H/PR:N/UI:N/S:U/C:N/I:N/A:L
Description

A vulnerability was detected in Mayan EDMS up to 4.10.1. The affected element is an unknown function of the file /authentication/. The manipulation results in cross site scripting. The attack may be performed from remote. The exploit is now public and may be used. Upgrading to version 4.10.2 is sufficient to fix this issue. You should upgrade the affected component. The vendor confirms that this is "[f]ixed in version 4.10.2". Furthermore, that "[b]ackports for older versions in process and will be out as soon as their respective CI pipelines complete."

Risk Information
cvss2
Base: 5.0
Severity: LOW
AV:N/AC:L/Au:N/C:N/I:P/A:N
cvss3
Base: 4.3
Severity: LOW
CVSS:3.1/AV:N/AC:L/PR:N/UI:R/S:U/C:N/I:L/A:N
cvss4
Base: 5.3
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:P/VC:N/VI:L/VA:N/SC:N/SI:N/SA:N/E:P/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

MJML through 4.18.0 allows mj-include directory traversal to test file existence and (in the type="css" case) read files. NOTE: this issue exists because of an incomplete fix for CVE-2020-12827.

Risk Information
cvss3
Base: 4.5
Severity: HIGH
CVSS:3.1/AV:L/AC:H/PR:N/UI:N/S:C/C:L/I:N/A:L
Description

A half-blind Server Side Request Forgery (SSRF) vulnerability exists in kube-controller-manager when using the in-tree Portworx StorageClass. This vulnerability allows authorized users to leak arbitrary information from unprotected endpoints in the control plane’s host network (including link-local or loopback services).

Risk Information
cvss3
Base: 5.8
Severity: HIGH
CVSS:3.1/AV:N/AC:H/PR:H/UI:N/S:C/C:H/I:N/A:N