Comparison Overview

ANIKAYA Dance Theater

VS

Adelaide Festival Centre

ANIKAYA Dance Theater

Somerville, MA, US
Last Update: 2025-12-09
Between 750 and 799

ANIKAYA Dance Theater was founded in 2003 by choreographer Wendy Jehlen. Our work has so far extended to the US, Benin, Brazil, Botswana, Burkina Faso, Canada, China, France, Haiti, India, Japan, Korea, Mali, Mexico, Mozambique, Palestine, Rwanda, South Africa, and Turkey. ANIKAYA’s mission is to break down the perceived boundaries between people, cultures and art forms. ANIKAYA’s work falls into two symbiotic, porous categories – performance and community engagement. Both come back to one essential change catalyst – kinesthetic empathy. Our work questions the boundaries that we imagine between ourselves, and seeks to break down these imagined walls through an embodied practice of radical empathy. ANIKAYA weaves together music, dance, visual art, new media and storytelling to create work that is resonant of deep-rooted traditions, without being bound to any one genre, place or practice. ANIKAYA engages in the authentic representation of reality. We are an artist-run organization and all of our projects are created by and for people of all genders and gender presentations, people of color from the US and around the world, LGBTQIA people, people with disabilities and people who create bodies that are socially-constructed as disabled.

NAICS: 7111
NAICS Definition: Performing Arts Companies
Employees: 3
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Adelaide Festival Centre

King William Road, Adelaide, South Australia, 5000, AU
Last Update: 2025-12-09

Home of the Performing Arts in South Australia, the Adelaide Festival Centre offers a diverse program of festival quality shows for a broad range of tastes and budgets throughout the year. As well as our own festivals, we make sure the festival continues with a year packed full of music, dance, theatre and exhibitions. Our Mission Adelaide Festival Centre aims to; Be the South Australian arts hub and a leading Arts Centre in the Asia Pacific region. Reinvent and comprehensively upgrade Adelaide Festival Centre and successfully integrate the Festival Centre within the Riverside Precinct Development Sustain and develop our program led ethos to deliver great work in all our venues. Consolidate and increase ticketed attendances and visitation and sustain them. Ensure high quality customer experience across all aspects of Adelaide Festival Centre operations. Implement a more sustainable, responsive financial model to underpin the overall objectives of Adelaide Festival Centre.

NAICS: 7111
NAICS Definition: Performing Arts Companies
Employees: 257
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Compliance Badges Comparison

Security & Compliance Standards Overview

https://images.rankiteo.com/companyimages/anikaya-dance-theater.jpeg
ANIKAYA Dance Theater
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
https://images.rankiteo.com/companyimages/adelaide-festival-centre.jpeg
Adelaide Festival Centre
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
Compliance Summary
ANIKAYA Dance Theater
100%
Compliance Rate
0/4 Standards Verified
Adelaide Festival Centre
0%
Compliance Rate
0/4 Standards Verified

Benchmark & Cyber Underwriting Signals

Incidents vs Performing Arts Industry Average (This Year)

No incidents recorded for ANIKAYA Dance Theater in 2025.

Incidents vs Performing Arts Industry Average (This Year)

No incidents recorded for Adelaide Festival Centre in 2025.

Incident History — ANIKAYA Dance Theater (X = Date, Y = Severity)

ANIKAYA Dance Theater cyber incidents detection timeline including parent company and subsidiaries

Incident History — Adelaide Festival Centre (X = Date, Y = Severity)

Adelaide Festival Centre cyber incidents detection timeline including parent company and subsidiaries

Notable Incidents

Last 3 Security & Risk Events by Company

https://images.rankiteo.com/companyimages/anikaya-dance-theater.jpeg
ANIKAYA Dance Theater
Incidents

No Incident

https://images.rankiteo.com/companyimages/adelaide-festival-centre.jpeg
Adelaide Festival Centre
Incidents

No Incident

FAQ

Adelaide Festival Centre company demonstrates a stronger AI Cybersecurity Score compared to ANIKAYA Dance Theater company, reflecting its advanced cybersecurity posture governance and monitoring frameworks.

Historically, Adelaide Festival Centre company has disclosed a higher number of cyber incidents compared to ANIKAYA Dance Theater company.

In the current year, Adelaide Festival Centre company and ANIKAYA Dance Theater company have not reported any cyber incidents.

Neither Adelaide Festival Centre company nor ANIKAYA Dance Theater company has reported experiencing a ransomware attack publicly.

Neither Adelaide Festival Centre company nor ANIKAYA Dance Theater company has reported experiencing a data breach publicly.

Neither Adelaide Festival Centre company nor ANIKAYA Dance Theater company has reported experiencing targeted cyberattacks publicly.

Neither ANIKAYA Dance Theater company nor Adelaide Festival Centre company has reported experiencing or disclosing vulnerabilities publicly.

Neither ANIKAYA Dance Theater nor Adelaide Festival Centre holds any compliance certifications.

Neither company holds any compliance certifications.

Neither ANIKAYA Dance Theater company nor Adelaide Festival Centre company has publicly disclosed detailed information about the number of their subsidiaries.

Adelaide Festival Centre company employs more people globally than ANIKAYA Dance Theater company, reflecting its scale as a Performing Arts.

Neither ANIKAYA Dance Theater nor Adelaide Festival Centre holds SOC 2 Type 1 certification.

Neither ANIKAYA Dance Theater nor Adelaide Festival Centre holds SOC 2 Type 2 certification.

Neither ANIKAYA Dance Theater nor Adelaide Festival Centre holds ISO 27001 certification.

Neither ANIKAYA Dance Theater nor Adelaide Festival Centre holds PCI DSS certification.

Neither ANIKAYA Dance Theater nor Adelaide Festival Centre holds HIPAA certification.

Neither ANIKAYA Dance Theater nor Adelaide Festival Centre holds GDPR certification.

Latest Global CVEs (Not Company-Specific)

Description

LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, there is no handler for JSON parsing errors; SyntaxError from express.json() includes user input in the error message, which gets reflected in responses. User input (including HTML/JavaScript) can be exposed in error responses, creating an XSS risk if Content-Type isn't strictly enforced. This issue does not have a fix at the time of publication.

Risk Information
cvss4
Base: 5.3
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:P/VC:L/VI:L/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when creating prompts, JSON requests are sent to define and modify the prompts via PATCH endpoint for prompt groups (/api/prompts/groups/:groupId). However, the request bodies are not sufficiently validated for proper input, enabling users to modify prompts in a way that was not intended as part of the front end system. The patchPromptGroup function passes req.body directly to updatePromptGroup() without filtering sensitive fields. This issue is fixed in version 0.8.1.

Risk Information
cvss4
Base: 5.3
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:P/VC:L/VI:L/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

LibreChat is a ChatGPT clone with additional features. In versions 0.8.0 and below, when a user posts a question, the iconURL parameter of the POST request can be modified by an attacker. The malicious code is then stored in the chat which can then be shared to other users. When sharing chats with a potentially malicious “tracker”, resources loaded can lead to loss of privacy for users who view the chat link that is sent to them. This issue is fixed in version 0.8.1.

Risk Information
cvss4
Base: 8.6
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:P/VC:H/VI:H/VA:N/SC:L/SI:L/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

MaxKB is an open-source AI assistant for enterprise. Versions 2.3.1 and below have improper file permissions which allow attackers to overwrite the built-in dynamic linker and other critical files, potentially resulting in privilege escalation. This issue is fixed in version 2.4.0.

Risk Information
cvss3
Base: 8.8
Severity: LOW
CVSS:3.1/AV:N/AC:L/PR:L/UI:N/S:U/C:H/I:H/A:H
Description

MaxKB is an open-source AI assistant for enterprise. In versions 2.3.1 and below, the tool module allows an attacker to escape the sandbox environment and escalate privileges under certain concurrent conditions. This issue is fixed in version 2.4.0.

Risk Information
cvss3
Base: 8.8
Severity: LOW
CVSS:3.1/AV:N/AC:L/PR:L/UI:N/S:U/C:H/I:H/A:H