Comparison Overview

American Jazz Museum

VS

Britannia Panopticon Music Hall

American Jazz Museum

1616 E. 18th Street, Kansas City, MO, 64108, US
Last Update: 2025-12-03

Click the button in our profile to become a member today and follow us on social media for updates on programming, live music, and more! About: The American Jazz Museum celebrates and exhibits the experience of jazz as an original American art form through performance, exhibition, education and research at one of the country’s jazz crossroads – 18th and Vine. The museum explores the history, expression and performance of jazz throughout the entire United States, highlighting the story of jazz in Kansas City, one of the four major centers of the art form in the country. Exhibits showcase the impact and expression of jazz on and through many aspects of American History and culture, particularly African-American history and culture, from film to literature, the fine arts, dance, and pop culture. With its roots in African American culture, jazz is infused in the DNA of America. Since its birth in the early 20th century, jazz history has been analogous to our everyday lives. It has been part of many significant developments, people, events, and social movements in Kansas City and America's history. Its story can help us understand the country, the city, and ourselves in a deeper, more meaningful way. Jazz is an indispensable part of the cultural infrastructure and identity of Kansas City. The American Jazz Museum is a leader in the development of the 18th and Vine Historic Jazz District - a community anchor that encompasses all the enduring possibility to learn more about ourselves and each other through each artifact, program, and performance. For 25 years, the American Jazz Museum has opened its doors to hundreds of thousands of visitors, championing the impact that jazz has on our everyday lives and the enduring possibility to learn more about ourselves and each other through each artifact, program, and performance.

NAICS: 712
NAICS Definition:
Employees: 37
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Britannia Panopticon Music Hall

113-117 Trongate, Glasgow, Glasgow G1 5HD, GB
Last Update: 2025-12-01

Britannia Music Hall opened in 1857 to entertain the hardest working folk of Glasgow. It survived when all it's contemporaries burnt down and by 1881 it was already billed as "The oldest established place of amusement in Glasgow."​ In 1896 it was one of the first places to show the cinematograph. By 1905 Britannia Music Hall had become outmoded in the face of the new entertainment palaces known as Variety Theatres; like the King's. Pavilion and Coliseum. They were luxurious venues with toilets, plush carpets and clean upholstered seats, Britannia had none of these and for a few short months it seemed that the Glasgow working man and woman had deserted the old hall for the more glamorous theatres. But all was not lost. In 1906 a young man who billed himself as "A. E. Pickard unlimited of London, Paris, Moscow and Bannockburn"​ appeared on the scene and added to the entertainments to be seen at the Britannia Music Hall. He converted the disused attic above the auditorium into a roof-top carnival, wax works and freak show and turned the cellar into a zoo. By May of 1906 the Britannia Music Hall had been reinvented as "Britannia Theatre of Varieties and Grand Panopticon."​ Sadly it finally closed in 1938, but was not removed. The music hall still survives and is today famous it's star turns who included:Harry Lauder, Dan Leno, Harry Champion, Charles Coburn, The Great Vance, George Leybourne, Marie Loftus, Archie Leech, Jack Buchanan and Stan Laurel's debut in 1906.

NAICS: 712
NAICS Definition: Museums, Historical Sites, and Similar Institutions
Employees: 7
Subsidiaries: 0
12-month incidents
0
Known data breaches
0
Attack type number
0

Compliance Badges Comparison

Security & Compliance Standards Overview

https://images.rankiteo.com/companyimages/american-jazz-museum.jpeg
American Jazz Museum
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
https://images.rankiteo.com/companyimages/britannia-panopticon-music-hall.jpeg
Britannia Panopticon Music Hall
ISO 27001
ISO 27001 certification not verified
Not verified
SOC2 Type 1
SOC2 Type 1 certification not verified
Not verified
SOC2 Type 2
SOC2 Type 2 certification not verified
Not verified
GDPR
GDPR certification not verified
Not verified
PCI DSS
PCI DSS certification not verified
Not verified
HIPAA
HIPAA certification not verified
Not verified
Compliance Summary
American Jazz Museum
100%
Compliance Rate
0/4 Standards Verified
Britannia Panopticon Music Hall
0%
Compliance Rate
0/4 Standards Verified

Benchmark & Cyber Underwriting Signals

Incidents vs Museums, Historical Sites, and Zoos Industry Average (This Year)

No incidents recorded for American Jazz Museum in 2025.

Incidents vs Museums, Historical Sites, and Zoos Industry Average (This Year)

No incidents recorded for Britannia Panopticon Music Hall in 2025.

Incident History — American Jazz Museum (X = Date, Y = Severity)

American Jazz Museum cyber incidents detection timeline including parent company and subsidiaries

Incident History — Britannia Panopticon Music Hall (X = Date, Y = Severity)

Britannia Panopticon Music Hall cyber incidents detection timeline including parent company and subsidiaries

Notable Incidents

Last 3 Security & Risk Events by Company

https://images.rankiteo.com/companyimages/american-jazz-museum.jpeg
American Jazz Museum
Incidents

No Incident

https://images.rankiteo.com/companyimages/britannia-panopticon-music-hall.jpeg
Britannia Panopticon Music Hall
Incidents

No Incident

FAQ

American Jazz Museum company demonstrates a stronger AI Cybersecurity Score compared to Britannia Panopticon Music Hall company, reflecting its advanced cybersecurity posture governance and monitoring frameworks.

Historically, Britannia Panopticon Music Hall company has disclosed a higher number of cyber incidents compared to American Jazz Museum company.

In the current year, Britannia Panopticon Music Hall company and American Jazz Museum company have not reported any cyber incidents.

Neither Britannia Panopticon Music Hall company nor American Jazz Museum company has reported experiencing a ransomware attack publicly.

Neither Britannia Panopticon Music Hall company nor American Jazz Museum company has reported experiencing a data breach publicly.

Neither Britannia Panopticon Music Hall company nor American Jazz Museum company has reported experiencing targeted cyberattacks publicly.

Neither American Jazz Museum company nor Britannia Panopticon Music Hall company has reported experiencing or disclosing vulnerabilities publicly.

Neither American Jazz Museum nor Britannia Panopticon Music Hall holds any compliance certifications.

Neither company holds any compliance certifications.

Neither American Jazz Museum company nor Britannia Panopticon Music Hall company has publicly disclosed detailed information about the number of their subsidiaries.

American Jazz Museum company employs more people globally than Britannia Panopticon Music Hall company, reflecting its scale as a Museums, Historical Sites, and Zoos.

Neither American Jazz Museum nor Britannia Panopticon Music Hall holds SOC 2 Type 1 certification.

Neither American Jazz Museum nor Britannia Panopticon Music Hall holds SOC 2 Type 2 certification.

Neither American Jazz Museum nor Britannia Panopticon Music Hall holds ISO 27001 certification.

Neither American Jazz Museum nor Britannia Panopticon Music Hall holds PCI DSS certification.

Neither American Jazz Museum nor Britannia Panopticon Music Hall holds HIPAA certification.

Neither American Jazz Museum nor Britannia Panopticon Music Hall holds GDPR certification.

Latest Global CVEs (Not Company-Specific)

Description

vLLM is an inference and serving engine for large language models (LLMs). Prior to 0.11.1, vllm has a critical remote code execution vector in a config class named Nemotron_Nano_VL_Config. When vllm loads a model config that contains an auto_map entry, the config class resolves that mapping with get_class_from_dynamic_module(...) and immediately instantiates the returned class. This fetches and executes Python from the remote repository referenced in the auto_map string. Crucially, this happens even when the caller explicitly sets trust_remote_code=False in vllm.transformers_utils.config.get_config. In practice, an attacker can publish a benign-looking frontend repo whose config.json points via auto_map to a separate malicious backend repo; loading the frontend will silently run the backend’s code on the victim host. This vulnerability is fixed in 0.11.1.

Risk Information
cvss3
Base: 7.1
Severity: HIGH
CVSS:3.1/AV:N/AC:H/PR:L/UI:R/S:U/C:H/I:H/A:H
Description

fastify-reply-from is a Fastify plugin to forward the current HTTP request to another server. Prior to 12.5.0, by crafting a malicious URL, an attacker could access routes that are not allowed, even though the reply.from is defined for specific routes in @fastify/reply-from. This vulnerability is fixed in 12.5.0.

Risk Information
cvss4
Base: 6.9
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:N/VC:L/VI:L/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

Angular is a development platform for building mobile and desktop web applications using TypeScript/JavaScript and other languages. Prior to 21.0.2, 20.3.15, and 19.2.17, A Stored Cross-Site Scripting (XSS) vulnerability has been identified in the Angular Template Compiler. It occurs because the compiler's internal security schema is incomplete, allowing attackers to bypass Angular's built-in security sanitization. Specifically, the schema fails to classify certain URL-holding attributes (e.g., those that could contain javascript: URLs) as requiring strict URL security, enabling the injection of malicious scripts. This vulnerability is fixed in 21.0.2, 20.3.15, and 19.2.17.

Risk Information
cvss4
Base: 8.5
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:L/UI:A/VC:H/VI:H/VA:H/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

Gin-vue-admin is a backstage management system based on vue and gin. In 2.8.6 and earlier, attackers can delete any file on the server at will, causing damage or unavailability of server resources. Attackers can control the 'FileMd5' parameter to delete any file and folder.

Risk Information
cvss4
Base: 8.7
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:N/VC:N/VI:H/VA:N/SC:N/SI:N/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X
Description

Portkey.ai Gateway is a blazing fast AI Gateway with integrated guardrails. Prior to 1.14.0, the gateway determined the destination baseURL by prioritizing the value in the x-portkey-custom-host request header. The proxy route then appends the client-specified path to perform an external fetch. This can be maliciously used by users for SSRF attacks. This vulnerability is fixed in 1.14.0.

Risk Information
cvss4
Base: 6.9
Severity: LOW
CVSS:4.0/AV:N/AC:L/AT:N/PR:N/UI:N/VC:N/VI:N/VA:N/SC:L/SI:L/SA:N/E:X/CR:X/IR:X/AR:X/MAV:X/MAC:X/MAT:X/MPR:X/MUI:X/MVC:X/MVI:X/MVA:X/MSC:X/MSI:X/MSA:X/S:X/AU:X/R:X/V:X/RE:X/U:X